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The most prominent theme in “The Rider” is loneliness. The speaker describes it as a personified entity, something tactile that one escapes:” [I]f he roller-skated fast enough / his loneliness couldn’t catch up to him” (Lines 2 - 3). Loneliness is characterized as being without friends or company. Both the boy and speaker are in its presence and want to outrun it. Nye creates a shift: In Line 9, the speaker, pedaling fast on their bicycle, escapes—just as the boy does in stanza one. The speaker claims: “A victory! To leave your loneliness / panting behind you on some street corner” (Lines 9-10). Suddenly, the speaker enjoys happiness and freedom. Loneliness is left in the dark.
Nye doesn’t share why the boy or the speaker are lonely. Despite this, loneliness drives the poem. In the final stanza, the speaker describes how it feels to achieve victory on their bicycle. They describe the feeling as freeing: “While you float free into a cloud of sudden azaleas” (Line 11). The final lines illustrate the boy and speaker’s need to outrun a sense of darkness. In contrast, the pink azalea petals can fall slowly; they can’t feel loneliness, they do not run the risk of being overtaken. The theme of atomization shifts throughout the poem, adding texture. When one is standing still, they are accompanied by loneliness. However, with speed and movement it might be possible to leave loneliness behind, even if momentarily.
The theme of being a “champion” (Line 5) emerges in stanza two and echoes in the idea of “victory!” (Line 9). Nye calls attention to championship in stanza two: “[T]he best reason I ever heard / for trying to be a champion” (Lines 4-5). The theme stands out by having its own stanza.
A champion is one who surpasses all others, wins a race or medal, and is the overall victor. According to the speaker, escaping loneliness might allow the boy to achieve things he had only ever dreamed of.
While not explicitly described as such, loneliness in “The Rider” may be characterized as a shadow or weight, something that hinders both the speaker and the boy. Both seek to outrun loneliness, to escape it. If they succeed in leaving loneliness behind, they may be free to dream and achieve great things—to be champions in other aspects of life.
The poem calls back to the theme of championship in stanza four: “A victory! To leave your loneliness / panting behind you on some street corner” (Lines 9-10). “Victory” (Line 9) expands the idea of championship; if one outruns their loneliness, they will feel free. The poem’s final lines describe this freedom: “[W]hile you float free into a cloud of sudden azaleas” (Line 11). Championship and victory are essential to understanding the larger question the poem poses, that of not being caught by loneliness.
Freedom is a central theme in “The Rider.” The speaker explores it explicitly in the fourth stanza and alludes to it earlier. In stanza one, the speaker states, “if he roller-skated fast enough / his loneliness couldn’t catch up to him” (Lines 2-3). These lines show the boy’s desire to escape or free himself of his loneliness through the speed of roller-skating. Freedom is further developed in stanza three. The poem shifts into the present tense; the speaker is now on a bicycle trying to escape loneliness: “What I wonder tonight / pedaling hard down King William Street / is if it translates to bicycles” (Lines 6-8). The speaker, like the boy, wants to outrun loneliness; they are curious if they can achieve the same feeling that the boy achieved on roller skates.
In the fourth stanza, the speaker experiences triumph. They escape their loneliness, slipping down the dark street by bicycle. Freedom is woven within the acts of riding, roller-skating, cycling and pedaling, all of which involve speed and movement. We see how important freedom is by how ardently the speaker pursues it.
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By Naomi Shihab Nye