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Gamache and Beauvoir interview Odile and ask her about her argument with Madeleine that Clara had overheard the night of the séance. She asked Madeleine to leave Gilles alone—she was afraid she would steal him.
When they find Gilles, he tells them about how as lumberjack he one day heard screaming and realized it was the trees. After he left his job, his wife left, and he found Odile. He admits that he was in love with Madeleine but never intended to act on his feelings. He also shares the reason behind his hatred of Monsieur Béliveau—the other man had refused to let Gilles prune a sick tree on his property that had died slowly over years. When Gamache asks, Gilles tells them that the gingko tree, from which ephedra originates, grows in the area. When they return to the incident room, Gamache sees that another article has been published about him, claiming that he is an incompetent alcoholic.
At Clara and Peter’s dinner party that night, Gamache tells Jeanne that the high school she claims to have attended burned down 20 years ago. She says it is a coincidence, but he is suspicious. During dinner they make small talk about the season and the weather, and they discuss Jeanne’s Wiccan beliefs. Talk turns to Hazel, who was invited but declined. Ruth is there despite having to leave the ducklings at home, and they talk about the smaller one, who isn’t as healthy. Ruth helped the duckling crack open its shell, and Gabri shares an anecdote about the emperor moth: If it doesn’t have to fight its way out of its cocoon, it will not survive in the world. Ruth faces the realization that by helping the duckling out of its shell, she has weakened it.
Neither Beauvoir nor Gamache can sleep that night, and neither can Jeanne. They sit in the bed-and-breakfast’s kitchen, look over the books they’ve collected, and talk about magic. Beauvoir claims not to believe, but Gamache brings up his personal superstitions. Beauvoir, disgruntled, goes back to bed, but Jeanne and Gamache continue to talk. She tells him about the message that had been written on her brochure, which said, “Where lay lines meet—Easter special” (256). She explains the significance of ley lines to Wicca and points out that whoever wrote the message spelled it wrong. Gamache realizes someone deliberately brought Jeanne to Three Pines that weekend.
Ruth is devastated to realize that she weakened the duckling, and that night, it dies. Clara, meanwhile, has a breakthrough on her painting. She is grateful to Peter for suggesting the dinner party.
Beauvoir believes that Sophie is guilty and will confess once they get the report on the ephedra they found in her bedroom. Although everything seems to add up, Gamache is not sure. They discuss a book that Myrna had given them, The Dictionary of Magical Places, because Gamache had found an image of the red hand that was also on the book he found in the Hadley house. He also points out that the caves where the red hand was found were called Chauvet.
When they go to the bistro, Gabri shows them the most recent newspaper and turns the radio on. Gamache’s children are now both being investigated on false charges. Gamache is angry that Brébeuf has not seemed to help with the press. He decides to call Brébeuf and asks him to arrange a meeting of the senior Sûreté council.
The investigation seems to confirm Sophie as the killer, but Hazel, distraught, comes to the incident room to plead for them not to accuse her. Gamache agrees to hold off for the moment, and they call Clara, who takes Hazel home with her. While Hazel is sleeping, Clara continues to paint.
Nichol returns from Queens and reports that Sophie is well-liked and never sick at school, in contrast to how she is when she is at home. When they receive the report on the ephedra pills, they discover that Sophie’s pills are not the same as those that killed Madeleine. Gamache realizes that Odile and Gilles carry ma huang in their shop, which is the Chinese name for ephedra. He takes a sample and sends it for analysis.
Gamache meets with all of the upper-level officers of the Sûreté, including Brébeuf and Francoeur. He asks them to stop the attacks in the news, but they deny planting the stories. He then asks them to accept his resignation. Francoeur verbally attacks him, and they argue, with Francoeur trying to coerce Gamache into a physical confrontation. As Gamache is leaving, Brébeuf repeats something that only Lemieux knew, and Gamache realizes that Brébeuf has betrayed him.
After he leaves the Sûreté, Gamache goes to Madeleine’s old high school to get an alumni list. When he returns to Three Pines, he tells Beauvoir that he knows who killed Madeleine. They arrange for everyone involved in the case to meet that night at the Hadley house.
Gamache summons everyone to the Hadley house so that he can reveal the murderer. He summarizes his approach to the investigation and what he discovered. He works his way through the various suspects, beginning with Sophie, whose love of Madeleine had turned to hate when she discovered Madeleine’s relationship with Monsieur Béliveau. He builds a convincing case against her, but then points out that everything he said also applies to Hazel. In addition, he reveals that Hazel had imagined a relationship between herself and Monsieur Béliveau until Madeleine stole his affection.
Gamache then moves on to his next suspects: Gilles, who could have killed her out of jealousy, and who had access to ephedra through his shop, and Odile, who could have just as easily gotten the ephedra and knew about Gilles’s love for Madeleine. He continues to Jeanne Chauvet, pointing out that the villagers had all wanted him to blame the crime on her. He shows them the brochure that was mailed in order to lure her to Three Pines.
He also reveals that Jeanne’s real name is Joan Cummings and that she went to high school with Madeleine and Hazel. She pursued a friendship with Madeleine in school but was ignored. When she came to Three Pines, she felt immediate belonging but, when she discovered Madeleine there, feared that the same thing would happen again. However, he tells them all, Jeanne is not Madeleine’s killer.
Lemieux comes to the room, and Gamache leaves with him. Michel Brébeuf is waiting in another room, and Gamache confronts him with his betrayal. Lemieux then shows his true self, a man only interested in promotion and power. Gamache asks why Brébeuf had attacked his children, one of whom is Brébeuf’s godchild. Brébeuf replies that it was jealousy—he achieved more than Gamache ever had, and yet Gamache was happier.
Brébeuf wants Gamache to resign, but Lemieux says it is not enough. He tries to give Brébeuf his gun to kill Gamache and then aims the gun himself, but Beauvoir comes into the room and draws his own gun on Lemieux. While this is going on, Nichol has been in the shadows, poised to intervene, but only Gamache has seen her. When Lemieux threatens to shoot, Beauvoir drops his gun, but Lemieux fires at Gamache anyway.
Just as Lemieux fires, Nichol throws a rock at him. Gamache, Lemieux, and Beauvoir are on the floor, in the dark, trying to find the gun. Nichol steps out of the shadows and points her own gun at Lemieux, who, thinking that she works for Brébeuf, tells the other man to call her off, then encourages her to shoot Gamache. Gamache reveals that Nichol is working for him, purposely acting out to distract Lemieux so that Gamache could observe him. Gamache, however, had thought he was working for Francoeur and was honestly surprised by Brébeuf’s betrayal.
Gamache leaves Lemieux and Brébeuf in the custody of Beauvoir and Nichol and returns to the villagers, who are still in the séance room. He traces Hazel’s relationship with Madeleine, who had always been in the spotlight when they were in school. After graduation, they drifted apart, and Hazel built a home in Three Pines with her daughter and a community of friends. Yet she was always friends with those who needed her and on whom she could look down. When they reconnected, Madeleine was sick, so Hazel accepted her, but once she got better, her feelings of being jealous and second best returned. The breaking point came when Sophie had come home from school and kissed Madeleine first.
Hazel slipped ephedra into the casserole she made for the first séance, which she did not attend. When the villagers protest that she could have killed them, she reveals that she knew Madeleine had a heart condition, which was necessary for the ephedra to kill her. Hazel had tried again the next séance and succeeded.
After the case is solved, Gamache is depressed over the loss of Brébeuf. Although Lemieux will be going to prison for attempted murder, Gamache cannot bring himself to charge Brébeuf. Instead, his friend resigns, and he and his wife sell their home and leave Montreal.
One afternoon, Gamache goes to Nichol’s house to have tea with her family. He meets her many relatives but realizes that Nichol is always standing outside the group, waiting to be invited in. He tells her that she should not wait to be invited, but make a place for herself.
Afterward, he goes to the Sûreté to apologize to Francoeur for accusing him of Brébeuf’s crimes. Francoeur still wants him to resign and lets his bitterness against Gamache flow. Gamache leaves, realizing that he will never be able to get past Francoeur’s anger.
Clara has finally finished her painting, a portrait of Ruth, and she shows it to Peter. He is astonished by it, and they celebrate her success. She tells him that the dinner party has given her a new direction and thanks him for the suggestion. Peter is happy for her, but as they leave for the Hadley house, there remains a tiny remnant of jealousy.
Gamache and Reine-Marie are invited to a party in Three Pines, and when they get there, they realize that the villagers have decided to fix up the Hadley house and banish the past. As he helps, he thinks that the house may have wanted this all along—that what they felt emanating from it was not evil but sorrow. The villagers hope that someone will buy the house and give it new life as part of the community.
In Chapter 37, Peter and Gamache discuss the cruelty of spring. Peter contextualizes the novel’s title of the novel, revealing it to be a reference to T. S. Eliot’s poem “The Waste Land.” The first stanza begins:
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain (Eliot, T. S. “The Waste Land.” Collected Poems: 1909-1962. Faber and Faber, 2020).
When Gamache asks him to explain, Peter replies, “All those spring flowers slaughtered. Happens almost every year. They’re tricked into blooming [...] and then boom, a freak snowstorm kills them all” (247). This unconventional perspective on spring is supported in the next chapter by the frogs, which are making such a racket all night that Gamache, Beauvoir, and Jeanne are left sleepless. What seems a charming and romantic reminder of spring is, in reality, cacophonous and overwhelming.
Also in Chapter 37, the motif of Ruth’s ducklings finally comes to a conclusion. When Ruth admits that she helped the weaker duckling break out of its eggshell, Gabri offers the example of the emperor moth: “They need to fight their way out of the cocoon. It builds their wings and muscles. It’s the struggle that saves them. Without it they’re crippled. If you help an emperor moth, you kill it” (252). By helping the duckling, supposedly out of love, Ruth weakened and possibly killed it. Finally, Penny makes the meaning of all this clear, using the motif to reinforce the idea that spring, as a course of rebirth, can be violent and unsettling. As well, the ducks show that Love and Attachment can be equally violent with unintended consequences.
At the end of Chapter 40, Gamache fulfills a classic mystery convention when he calls all the interested parties to the scene of the crime to reveal the murderer. Before that, however, he walks them through his thought process and various suspects, until he arrives at Hazel. He reveals how Myrna’s explanation of the near enemy gave him a new perspective on the crime, leading to the solution, because what many characters believed was love was actually attachment, which allowed other, more sinister emotions like jealousy to disrupt their relationships. This climactic scene occurs at nearly the same time as Gamache’s confrontation with Brébeuf, the climax of the other storyline. Penny generates tension and excitement by having these two climaxes happen concurrently.
In Chapter 39, Gamache finally discovers what the reader has known: Brébeuf is his betrayer. However, neither the reader nor Gamache will understand the why until Gamache confronts Brébeuf in the Hadley house: He is jealous of Gamache and resents his happiness. Further, he doesn’t understand it: “I watched as you ruined your career. So why are you the happy one?” (292). Brébeuf reveals that his feelings for Gamache had been attachment, not love, and Brébeuf cannot grow as a character into a relationship based on love.
The theme of Love and Attachment proves to be the underlying motivation in Hazel’s murder of Madeleine too. Rather than being happy for her friend’s recovery, newfound love, and involvement in the community, Hazel only sees what she is losing as a result. She is jealous of Madeleine’s success in Three Pines and feels their relationship slipping away as Madeleine, healthy again, becomes as popular and successful as she was in high school. Hazel does not want the best for Madeleine but is more interested in maintaining her own position in the community and Madeleine’s life.
When Gamache and Reine-Marie return to Three Pines in the final chapter, it is “a sunny spring day, the young leaves in full bloom and turning the trees every shade of fresh green” (306). The villager’s reclamation and acceptance of the Hadley house is paralleled by the fine weather. Their shift to accepting Gilles’s assertion at the beginning of the novel—“It needs our help” (45)—allows the village to gain closure on the tragedies of the Hadley house, and the weather reflects this. Gamache gains closure, too, and he questions his past perspective on the house: “Had the old house been moaning for pleasure when company finally arrived? And they’d thought it sinister?” (306). Even the Hadley house is allowed to put its past behind it and become a part of the community.
In Chapter 44, Penny also ties up the storyline following Peter’s jealousy of Clara. Before she shows the finished painting to Peter, he finds himself “begging for the painting to be truly, unequivocally, irredeemably horrible” (307). He has abandoned himself to his jealousy. However, when she reveals her painting, he is in awe: “[A]ll his fears and insecurities vanished. And the love he felt for Clara was restored” (309). Peter appears to have gotten past his jealousy, but Penny closes the scene on an ominous note, with “Peter carrying a case of beer and a tiny shard of jealousy, which started festering” (309). Although Peter may feel in control of the jealousy, he has not banished it completely, and Penny implies that if Clara and Peter feature in future books, this will be an ongoing issue between them. Their attachment may overshadow their love for each other, and it may tear them apart as much as Gamache and Brébeuf, Hazel and Madeleine, or Ruth and her ducklings.
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By Louise Penny