49 pages • 1 hour read
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Matthew Miller, a Black American teenage boy known as Matt to his friends, begins his first day of his senior year three weeks into the school year. His mother died just days before; he did not attend school so that he could be near her before she passed away. Matt lives with his father in the Brooklyn neighborhood of Bedford-Stuyvesant and attends public school. Matt feels that some fellow students behave awkwardly around him; James Skinner, for example, avoids any conversation even though he and Matt spoke recently over the summer when they had senior portraits taken. Matt’s best friend, Chris Hayes, though seeks Matt out to express sympathy and apologize for not attending Matt’s mother’s funeral. Matt takes only a half-day’s worth of classes each day, leaving at noon. Because his planned work-study program at a bank went to another student in Matt’s absence, Matt needs an afternoon job.
Matt goes to the Cluck Bucket, a fried chicken fast food restaurant from which his family often ordered take-out. The counter server, who wears a necklace that reads Renee, and the cook Clara respond to his request to apply for work with short sentences and rough demeanors. Matt begins to fill out the job application. He sees a teenaged boy pester Renee for her number; Renee tells him none of the items he tries to order are available. The boy and his friends leave.
Mr. Willie Ray, the director of the local funeral home, arrives to pick up a large chicken order for a repast (the meal following a funeral). He and Matt converse, and Matt recalls that Mr. Ray helped his mother walk to the ambulance for her last trip to the hospital, as she refused the EMTs’ stretcher. When Mr. Ray sees Matt’s application, he offers Matt work at the funeral home. Matt considers it, but he politely turns down the offer, figuring that the funeral home environment would be too difficult with his tremendous grief over losing his mother. Then, however, a girl runs into the Cluck Bucket from the street and vomits on the restaurant floor. Matt sees a kitchen worker clean up the mess. Matt cannot stand vomit; he decides to accept the job with Mr. Ray.
Mr. Ray is well-known in the community; he beat cancer twice and spends time spreading awareness in the neighborhood by handing out cancer pamphlets. Matt helps Mr. Ray bring the chicken to the funeral home and set up for the repast. Matt asks Mr. Ray if he can sit in on the funeral upstairs; Mr. Ray does not question this odd request but requires Matt to “be respectful […] And sit in the back” (19). He gives Matt his black suit jacket to borrow.
In the funeral service, Matt listens to friends and acquaintances of the deceased, Mr. Jameson, share stories about his life and experiences. Those attending enjoy the stories, reacting with laughter and vocalizations. When Ms. Jameson speaks, however, she breaks down in tears over the death of her father; Mr. Ray’s brother Robbie, who introduces each speaker, holds her up throughout the rest of her speech. Matt enjoys the stories along with the attendees, but when Ms. Jameson cries, he feels “satisfied” as well. He heads home without sharing in the repast.
Matt recalls his mother’s presence in their home and misses the smell of meals she cooked and the sound of music she liked. Matt’s mother moved to Harlem to attend acting school and met his father at the restaurant where they both worked. Matt’s father intended to pursue acting as well, but without any training. Matt’s mother practiced accents on customers. The house sounds and feels empty without her. Hungry, he tries to open “The Secret to Getting Girls, For Matty” recipe booklet that his mother wrote for him. He gets as far as “The OMG Omelet for Matty (Thanks for Teaching Me OMG)” (31) but then closes the cookbook in sadness and grief. Little food is in the house; Matt and his father mostly order takeout now. He decides to walk to the nearby bodega for a sandwich. He is one dollar short, but he thinks the owner, Jimmy, a rough Pakistani man in his forties who once scared away a shoplifter with a machete, will give Matt a sandwich anyway, knowing Matt will repay the debt.
Jimmy expresses sympathy for Matt’s loss and tells the sandwich-maker Mike to make a sandwich for not only Matt but for Matt’s father too: “Matty, you know you family, and I know you or your pops is good for it” (34). Matt’s friend Chris arrives and orders a sandwich for himself. Chris lives in an apartment building on the same block as Matt’s brownstone. “[A] a gang of dudes” whom others suspect of theft and drug deals frequents the entrance to Chris’s apartment building, so Matt and Chris take their sandwiches back to Matt’s brownstone building and sit on the stoop. Matt’s thoughts shift to how he has not seen other friends in the weeks since his mother went to hospice care in the hospital. She enjoyed the flowers people sent; Matt did not see the point of having cut flowers that wither and die. The day before she died, his mother gave away all the flowers to nurses and Matt’s father. That night, Matt’s father stayed up and drank cognac shots while reading the get-well cards. They received a call at 4 a.m. that Matt’s mother passed away. When his father knocked on his bedroom door to tell him, Matt was already dressed.
Chris and Matt talk about school. Matt tells Chris that others behave strangely to him now, and Chris claims no one wants to say the wrong thing to Matt. Matt asks Chris to treat him “normal.” Chris asks Matt to make sauce for his sandwich with a recipe Matt created. Nameless, the sauce is an entry in the recipe booklet Matt’s mother made him labeled “Blank Sauce.” Matt refuses. Chris tells Matt that he saw Matt’s father outside the liquor store on Albany with a known neighborhood drunk, Cork. Cork is Mr. Ray’s youngest brother who does occasional work at the funeral home.
Chris leaves before it gets dark. Matt reflects on his friendship with Chris and attributes how close they are to the time when Matt was seven and spent the night at Chris’s apartment because Matt’s parents wanted to go out for Valentine’s Day. Trying to sleep that night, Matt heard a violent domestic quarrel in the hall. Matt insisted on opening the door to see, even though it broke one of the three rules Chris’s mom had for visiting: “Just pretend like you don’t hear anything” (45), regarding noises in the street or hall. The other rules were keeping take-out containers in the fridge or microwave to avoid mice in the trash and waiting until morning to use the hot water. On the night of the hallway quarrel, Matt “washed up” in the evening; Chris’s feet smelled awful because he did not. The two peeked into the hall at the sound of the fight; then they heard a gunshot: “[…] the loudest sound I had ever heard in my entire life came rushing toward us” (46). Chris’s mother woke and sent the boys to bed. From there, Matt listened to the police, sirens, a girl’s screams, and a dog barking. In bed “head to foot,” Matt did not care about Chris’s foot odor anymore.
Matt falls asleep that night listening to rapper Tupac’s song “Dear Mama” on repeat. He dreams of his mother’s funeral service. In the dream, everyone is crying heavily except for Matt and his mother, who sit close together “in the pew smiling” (49). Matt awakens at four in the morning when his father stumbles in after being out drinking all night. Matt’s father drops a bagged bottle of cognac in the kitchen. It breaks, and he cut his hand. Matt helps him into a chair and gives him a towel to staunch the blood. The stink of liquor is heavy in the kitchen. Matt asks his father, “Better?” (49), even though his father’s hand is still bleeding. This reminds Matt of his father asking him if a bandage made his scraped knees better when Matt was smaller.
Lacking control and falling asleep, Matt’s father urinates while sitting in the chair. Matt recalls that his mother required his father to quit drinking before she would acquiesce to marry him, which he did. Matt feels as though he and his father play reversed roles: “And I looked at him like he was my kid—like we had switched places, and this was his first night getting wasted and I was suppose to yell or punish him or tell him how irresponsible he was” (52).
Matt decides to wear his suit to school the next day, so he’ll be dressed appropriately for work at the funeral home. He owns only one suit: the black one he wore to his mother’s funeral. Matt’s father seems well the next morning. He offers Matt breakfast and asks about Matt’s suit. Matt tells him about the job at Mr. Ray’s. Matt almost asks his father about the night before but changes his mind. The weather is dreary as Matt walks to the bus stop, but Chris, who has trouble closing an oversized umbrella when the bus arrives, cheers him up. At school, Matt realizes his suit might be a source of gossip among his peers: “But I didn’t really care because, like I said, high school seemed like nothing to me now” (56). His mind drifts in English class and he anticipates going to work and “sitting in on another funeral” (57).
In the opening chapters, the author establishes Matt’s character along with several key points of backstory and internal and external conflict. Matt tries diligently to get through his first days back to school after his mother’s death with a sense of normalcy; he seeks and appreciates best friend Chris’s company because Chris addresses up front the loss of Matt’s mother, then treats Matt as he typically does. Matt tells Chris that other students and some teachers act like they cannot talk to him (Matt); he asks that Chris continue to act “normal” around him.
Matt understands that some normal activities, however, will trigger his grief and emotions, such as cooking in the kitchen where he and his mother cooked together. Matt craves normalcy but also desires the distraction of his work at the funeral home; he seems to know intuitively that attending others’ funerals might help somehow to understand and possibly fill the hole left by his mother’s passing.
Matt is a kind and soft-spoken young man who demonstrates politeness and maturity, especially after the loss of his mother; he explains in his interior monologue how he feels strangely beyond the necessity of high school now. Matt shows maturity in his assessment of others’ lives and living situations, such as when he describes the harassment and crimes of the street gang members who hang out near the entrance to Chris’s apartment building. When he accepts the job at Mr. Ray’s instead of the Cluck Bucket despite the atmosphere of death at the funeral home, Matt shows his willingness to try to overcome discomfort and fear.
Several of Matt’s recollections reveal important backstory points to readers. We discover that Matt’s father drank heavily before meeting and marrying Matt’s mother, and we learn the details of the day and night that she died. Matt’s memory of the night he spent at Chris’s when a shooting occurred in a domestic dispute right outside Chris’s apartment door establishes tone and atmosphere for the setting of Chris’s home, and it symbolizes the randomness of danger despite proximity to home.
The author establishes Matt’s conflicts throughout these opening chapters. He is deeply mournful of the loss of his mother; he dreams about her attending her own funeral and recalls her presence in the brownstone. His grief, an internal conflict, is always with him now. Matt’s father Jackson presents a strong external conflict for Matt; Jackson takes up drinking again on the same night Matt’s mother dies. He stays out till almost dawn with the local drunk. Matt realizes that though it appears their parent/child roles are reversed, he cannot solve the problem: “[…] he wasn’t my son. He was my father. All I could do was pray to God that he would get a handle on it” (52). The funeral home job initially represents another conflict; Matt is anxious about the environment and asks Mr. Ray if he will have to touch any corpses. Matt feels a compulsion, however, to attend the funeral of strangers, realizing that others experience the deep sadness he feels.
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By Jason Reynolds