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Christopher remembers a time when he played handball and fell into a tree. Tom took him home. Dazed, Christopher was unsure where he was, but Master Benedict assured him he was at home and would always have a home there. Now, Christopher has nowhere to go and worries about Lord Ashcombe searching for him.
Back at the Guild Hall, Christopher asks the man at the door if Stubb has been by, but he hasn't. Christopher goes the staircase to where Oswyn left him, but an apprentice is sitting on the steps, playing with a dagger and blocking his way. He challenges Christopher; when Christopher explains his purpose, the apprentice tells him he can wait in Oswyn's office. As he guides Christopher there, Christopher thinks he seems familiar and wonders where they have met before. He asks if the boy is Oswyn's apprentice, but he is not. Arriving at the office, the apprentice says he will go get the masters and closes Christopher in.
Christopher waits in the clean, small office. He studies a framed picture on the wall of magical creatures representing the elements, which remind him of the mural in the mausoleum. He realizes that Master Benedict had been training him to open the wall in the crypt through things like the puzzle cube.
Christopher listens to hear if anyone is coming, then goes back to the line of code he has not broken yet on the ledger page. The first line gives him directions to the crypt. The last line provides a warning. He thinks that the middle line must explain how to decode the symbols, though he also has not decoded "end.swords" yet. He thinks about swords he's seen, then wonders if it could be a different set of words: "end's words" (224). He looks again at the last words, which are in Latin. Earlier, he discarded the idea of the code being in Latin because there is a J in the code but not in Latin. However, he now realizes that while the code may have a J, the message might not—so it could actually be in Latin. Decoding and translating, Christopher arrives at the true message: "Isaac has the key" (226).
Christopher wants to go see Isaac right away but knows he needs to wait for the Guild members. Out the window, he sees a large apprentice sitting on a bench who also seems familiar to him. Oswyn and Sir Edward enter the courtyard, and Christopher hears snippets of their conversation, which is about Christopher and the Cult, as well as Stubb and his apprentice. They leave the Guild Hall, confusing Christopher because the apprentice was supposed to let them know that he is waiting. He goes to follow them only to find that the door is locked.
Watching the large apprentice toss dice, Christopher recognizes him from outside the apothecary shop the previous day. He realizes that the apprentice who brought him to the office was also there. Now, they have trapped him here. Valentine Grey passes through the courtyard, asking the apprentice for Sir Edward, then going after him.
Wat approaches the larger apprentice, whom Christopher thinks of as "the Elephant" (231). The Elephant tells Wat that Christopher is there and that Martin, the other apprentice, took him upstairs. Wat is angry that the masters could have found him. The three apprentices decide to send the doorman away and then "get rid of" (253) Christopher while they make sure the Hall is empty, as their master told them to do.
Christopher berates himself for not realizing that the apprentices meant him harm. He thinks about sneaking out of the window, but the climb is too high. He cannot open the door. He looks for something to use to force it open and finds a lantern, realizing that he can light it using the materials in his sash. He considers making gunpowder before rediscovering the oil of vitriol, which can eat through almost any material. Christopher takes a sketch from the wall and folds the paper, puts the oil on it and shoves it into the lock. It goes slowly, then fizzles out. Christopher uses a silver spoon from his sash to drip the oil in instead. Finally, the latch breaks.
However, Martin is waiting for Christopher in the hallway. He pushes Christopher into the desk, hurting his ribs, and punches him. Christopher pulls a vial out of his sash and pushes it into Martin's face, cutting him and stopping him from more violence. Christopher throws the lantern, confusing Martin, and runs. Down the hallway, he finds the Elephant approaching him with rope in his hand. Christopher runs in the opposite direction.
As Christopher doubles back, Martin comes out of Oswyn's office. With both boys tailing him, Christopher throws the lantern behind him, scattering oil and making Martin trip. All of the doors Christopher finds are locked, so he goes downstairs. There, Wat is waiting for him at the front door and starts screaming to the others. With no other exit, Christopher goes down into the laboratory where he took his apprentice exam. There, he knows the three chambers: a central one with general materials, a distillery for alcohol, and ovens to cook ingredients. However, there are no windows through which he can escape. Christopher hopes someone is in the cooking room and goes there.
Wat calls out Christopher's location to the others. Scared they will discover the decoded message, Christopher burns it. However, he is unable to bring himself to burn the ledger page with Master Benedict's handwriting on it. He looks for a weapon, then thinks better of it and looks for a distraction. He starts with sugar and saltpeter, combining them as the other boys enter the room and using a coal to light them on fire, keeping them in the general room while he stays in the cooking room. His mixture explodes, creating smoke. Christopher combines natron and vinegar, which starts to fizz, into a jug.
In the meantime, the Elephant tries to cajole him to come out. Christopher takes pot with goo in it from the fire and throws it at him, still holding the jug and the empty pot. He stops the Elephant but has to hit Martin with the pot. Christopher runs out into the courtyard, where he throws the jug near Wat. It explodes, injuring Wat. Christopher runs out of the Hall into the street.
Christopher runs back to the apothecary's shop, having nowhere else to go. There, he will stock up on ingredients and try to have a word with Tom. When he passes Tom's house, he sees Tom with Lord Ashcombe. Christopher watches from afar, realizing that Lord Ashcombe is holding the puzzle cube and is asking Tom about it. Lord Ashcombe twists Tom's hair, and Tom's parents confront him. Christopher knows that he will take responsibility for the theft of the cube because he would never let Tom be sentenced to death as a thief in his place.
Tom's little sister Molly finds Christopher and insists that he go with her, on Tom's orders. Seeing that Lord Ashcombe is not about to punish Tom, Christopher goes with her. They go through a network of alleys to what she calls "the Black House" (257). This is a home that was ravaged by a fire the year before, nearly collapsing. There, Cecily waits for them with Dr. Parrett, who welcomes Christopher.
Christopher goes inside the burned-out house. Dr. Parrett warns them not to disturb his son James, who actually died in the fire. He takes the children to James’ room, where he leaves them. Christopher asks Cecily how they knew where to find him, and she explains that Tom sent all of his sisters out to look for him.
Christopher reviews his injuries. He has hurt his back, scraped his shoulder, and cut his finger. With Cecily's help, he treats his cut with items from his sash so that it will not become infected ("turn the humors of the body sour and poisonous" (261)).
That evening, Tom comes and congratulates his sisters, then sends them home. Christopher is worried about the puzzle cube, but Tom explains that Lord Ashcombe wasn't thinking about it and gives it to him. He has also brought sticky buns. Christopher explains his discoveries as he eats the buns. Tom has worked out an escape plan, with Christopher evading the King's Men and going down to the docks to get out of the city; he has brought Christopher money from his father's strongbox.
Christopher refuses, explaining that he saw Valentine Grey, who may be the master of Martin and the Elephant, and wants to tell Lord Ashcombe. Tom counters this, letting him know that Lord Ashcombe thinks Christopher is responsible for Master Benedict's death because he hit Christopher. Christopher realizes that Lady Brent, who witnessed Master Benedict hitting him before his death, must have talked to Lord Ashcombe. Christopher wants to find Master Hugh to refute this, but Tom tells him that Hugh is dead. Lord Ashcombe told Tom that the body in the garden on Oak Apple Day was Hugh's. However, he is unsure if it was the Cult, because Hugh was buried in hallowed ground.
Tom tells Christopher that Stubb and his apprentice are also dead. This confuses Christopher, because he believes they were also in the Cult. He wonders if Wat did it, perhaps out of anger or because somebody else ordered him to. Tom again tries to convince Christopher to leave the city, but Christopher has nowhere to go and no money to buy a new apprenticeship. Instead, he says, he will go to Isaac. Tom argues that there will be a reward for capturing Christopher, who is no longer safe on the streets. Christopher has a plan and tries to send Tom home to stay out of trouble, but Tom insists he will come with Christopher the next day.
This section opens by contrasting Christopher’s feelings of safety and home with Master Benedict with his currently unstable situation. This highlights the twin plot lines of the book: Christopher wants to solve Master Benedict’s murder, and Christopher also needs to stay safe without anyone to protect him. The closer he gets to solving the murder, the less safe he is. This dynamic increases the tension as Sands builds to the novel’s climax. Although Christopher longs for safety, remembering Master Benedict and even returning to the apothecary shop when he has nowhere else to go, he is too far into the mystery now to remain uninvolved. As he continues to investigate, his position becomes increasingly dangerous, as the apprentices pursuing him in this section illustrate. The only safe place for Christopher is a place that combines both trauma and safety: Dr. Parrett’s house. Although the site of a tragic fire, the “black house” nevertheless shelters Christopher when he most needs it.
Throughout this section, Christopher is continuously characterized by his intelligence. Notably, this comes through in his ability to use his knowledge in new, unrelated situations. By using his language skills and knowledge of Master Benedict’s friends, he connects Master Benedict’s message to Isaac. By using his skills as an apothecary, he uses oil of vitriol to escape from Oswyn’s shop and later to treat his own injuries and prevent infection. By using his memory and reasoning skills, he recognizes the apprentices and escapes before they cause him significant harm.
Sands does not emphasize Christopher’s intelligence simply to characterize him. Christopher’s abilities serve to emphasize the themes of cleverness over violence and the value of persistence and loyalty. While Christopher is sometimes forced to fight back, he is smaller than the other apprentices and uses his wits to escape them. When he throws the lantern or creates a chemical mixture to disorient Wat, Christopher chooses tactics that delay his opponents, rather than directly injure them. This section also illustrates the value of loyalty. As Christopher finds himself in dire straits, his friends gather around him to help. This includes Tom and Dr. Parrett, as well as Tom’s sisters. Even when Lord Ashcombe threatens Tom, Tom insists on staying by Christopher’s side and continuing to help him. This mirrors the type of persistence that Christopher has shown as he loyally pursues his master’s killers.
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