53 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Opal is a 26-year-old woman living in the small town of Eden, Kentucky. She is both the protagonist and a narrator of Starling House. Although she has lived in Eden most of her life, she does not consider it to be her home. In fact, she does not consider any one place to be her true home, for she was conceived and born in the back of her mother’s car and has always felt like she must be ready to move from one place to another. Her sole motivation in life is ensuring that her brother, Jasper, has everything he needs. At the time of the novel, she is trying to be as little like her mother (Jewell) as possible, for Jewell was a woman who always depended on help from others. Opal, on the other hand, never asks anyone else for help, remarking, “I work for what I can and steal the rest; I don’t owe anybody shit” (107). Because of this intensely independent mindset, Opal closes herself off from most people around her and attempts to maintain as much control as possible over her life. She believes that the town of Eden has turned against her family, yet she fails to see the support system that she has in people like Bev and Charlotte, who provide and care for her and Jasper without her knowledge.
Opal says that Jewell “picked her last name according to her mood” (32), requiring Opal to forge new identities for herself and Jasper after their mother’s death. Only later in the novel does Opal learn that she is related to the Gravelys, the most prestigious and well-known family in Eden. Her living relatives disowned Jewell before Opal was even born, cutting Jewell and her children off from their vast wealth and forcing them to live in poverty. Jewell’s death greatly affects Opal, whose survivor’s guilt from the accident that killed her mother drives her to do everything she can for Jasper. Wanting her brother to leave Eden and pursue a better life, Opal is burdened by the belief that because there is so much that she must do to provide for her own and Jasper’s needs, she cannot let herself follow her own dreams for her future. This skewed perspective is a major character flaw throughout the novel and represents a limitation that Opal must overcome in order to be happy with her life. She knows she wants to write stories, be a part of a family, and have a home, but she puts all of these things on hold to focus on Jasper’s well-being.
Opal is a dynamic character whose thoughts about her own wants and needs change significantly toward the end of the novel. In the second half of Starling House, she begins to realize that she has found a family amongst her friends in Eden, particularly with Arthur Starling, whom she also considers to be her home. Even as she learns that home is not necessarily a place, she does manage to find a home in Starling House and reconciles with the fact that Eden is also her home. Perhaps most importantly, Opal begins to understand that she is allowed to want things for herself. In the Underland, a place that manifests her dreams, Opal finally learns what she wants and understands that she cannot have the future she dreams of if she keeps denying herself the right to pursue it.
Arthur is a 28-year-old man whose parents became the Wardens of Starling House when he was young. At the time of the novel, he is the Warden. His thoughts and feelings are revealed in Starling House through the use of an omniscient third-person narrator, and these sections of the novel contrast sharply with Opal’s sections, for she narrates from her own point of view. Rumors about Arthur circulate around Eden before he and Opal meet, creating a vague impression of him as a reclusive and possibly evil old man who may have been involved in the deaths of his own parents. Though Opal first sees Arthur as strange and curmudgeonly, she later learns that, like her, Arthur only lets himself focus on what he needs; as Opal states, he is “a man with a list just like [hers], with only one thing on it” (179). Arthur has sworn to be the last Warden of Starling House, making the choice to take the position so that no one else will be able to suffer the violent deaths of his parents and the other Wardens who came before him. As a result, Arthur is often cold to Opal, for he knows that she is supernaturally drawn to the house as a potential future Warden, but he is also conflicted by his growing love for her. Several times throughout the novel, he tells Opal to run away from the house and the Underland so that she will not have to suffer, but in these moments, he fails to understand that she wants to help him and be with him.
Despite choosing to be the Warden, Arthur is disdainful of the role and sometimes considers giving it up. As a child, he ran away from Starling House in an attempt to live a normal life that didn’t involve researching and fighting mythical beasts. He only returned to Starling House a few days after the deaths of his parents, and this timing led the people of Eden to believe that he knew about their deaths for days before contacting anyone. Shortly after this, Arthur tried to ignore the fact that the house was calling him to be the next Warden; he abused alcohol, and his negligence allowed a beast to get loose from the house and cause Jewell and Opal’s car accident.
In the years that follow this event, Arthur feels responsible for the deaths of Jewell and his parents; he is unable to shake this guilt even after the beasts leave Eden. At the end of the novel, however, Opal tells Arthur, “You spent a long time alone, fighting a war that wasn’t even yours [...] But it’s over now [...] It’s time to dream your own dreams” (334). With these words, she teaches him that he can move on from his past and live the life he wants to live. By the end of Starling House, Arthur, like Opal, has learned that he deserves better than spending his life wallowing in past regrets.
Jasper is Opal’s younger brother. He was born to Jewell 10 years after Opal. Like Opal’s father, Jasper’s father was absent, and all that the siblings know about Jasper’s father is that he was a man from Managua who was staying at the Garden of Eden Motel one summer. Jasper is extremely bright and does well in school. He is also very creative and makes artistic videos in his free time. Opal believes that he is too smart to stay in Eden, so she attempts to enroll him in a prestigious boarding school without his knowledge. Jasper is one of the few people in Eden who are not white, and he faces constant microaggressions from his community due to their unfounded hatred and fear of his Latino heritage. Once he is accepted into the boarding school, they post a picture of him on the school website with the quote “It doesn’t matter where you come from—it matters where you go next” (256), highlighting the fact that he is treated like an outsider in Kentucky, even by people who claim to care for him.
Jasper is highly concerned with the idea of choice, as he is rarely able to make choices about his own life. Opal decides everything for him, making the choice to send him out of Eden without asking for his input. After Arthur warns him to leave Eden, Jasper tells him, “People have told me that my whole life, you know that? People who love me, people who hate me. All of them seem to agree that I don’t belong here” (193). Although he hates Opal’s overbearing nature, Jasper recognizes that she is trying to give him the best life she can, and he feels obligated to her because of all her efforts to provide him with a good life. Without her knowledge, Jasper begins applying to jobs and colleges with the intent of pursuing a degree that will make him enough money to repay Opal for everything she has done for him. However, Opal ultimately convinces him to do something he loves, and Jasper ends up pursuing his passion for filmmaking. Jasper is a character who parallels Opal in many ways. Both siblings feel the call of Starling House, but unlike Opal, Jasper is highly cognizant of the role that free will plays in their lives.
Eleanor Starling was the first resident of Starling House and is the subject of much of Eden’s local lore. Eleanor also wrote the children’s book The Underland, a fictionalization of her actual experiences with the beasts that she manifested beneath the earth, as well as the human monsters that the beasts attacked above ground. Her mother married the oldest of the three Gravely brothers. The brothers contrived to steal all of her money, then used it to purchase a labor force of enslaved people to work in their mines; the ill-gotten profits from this endeavor eventually funded Gravely Power and cemented the prominent social status and clout of the Gravely family for generations to come. At the time, however, Eleanor was sent to live with her three uncles, the second of which convinced the town that she was not in fact a Gravely—despite everyone knowing otherwise. This transparent subterfuge was designed to allow him to marry Eleanor and thus steal her fortune. Facing the abuse of her uncles and the scorn of the town, Eleanor began dreaming of beasts who would come alive in the cracks in the earth that lead to the Underland. These beasts did indeed come to life and later killed her uncles. They beasts then lingered, hunting and killing the people of Eden for over a century. Rather than being killed by her own beasts, however, Eleanor too descended into the Underland, the only place where she felt like she had any power and where her rage simmered for generations, until Opal finally found her and helped her to relinquish her rage.
Throughout much of the novel, Eleanor’s story is told by other people, typically those who have more power than she ever did. She appears in the novel primarily as a figure that the people of Eden hate and fear. Few of the citizens know anything about her other than the false narratives spread by the Gravelys, who grossly mistreated her. The uncorrupted version of Eleanor’s story is only told at the end of the novel, and its essence is nearly identical to the narrative of Eleanor’s book, The Underland. Her character and her story therefore highlight the ways in which systemic power is used to corrupt the narratives of less privileged members of society; the author conveys this message in many ways throughout the course of the novel. Like other characters in Starling House, Eleanor is stuck in the past, unable to let go of her anger toward the cruelty of her community and the unfairness of her situation. Yet just as Opal and Arthur learn that they deserve better than to dwell on the things in their past, Eleanor is ultimately able to come to this realization and let go of her beasts.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Alix E. Harrow
Challenging Authority
View Collection
Class
View Collection
Class
View Collection
Family
View Collection
Fantasy
View Collection
Horror, Thrillers, & Suspense
View Collection
Memory
View Collection
Mystery & Crime
View Collection
Popular Book Club Picks
View Collection
Power
View Collection
Reese Witherspoon's Hello Sunshine...
View Collection
Religion & Spirituality
View Collection
Revenge
View Collection
Romance
View Collection
Sexual Harassment & Violence
View Collection
The Best of "Best Book" Lists
View Collection
Truth & Lies
View Collection