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Masks function as a motif that explores the theme of identity, particularly within the context of The Challenges of Navigating Different Personas. The motif of masks is prominent throughout the superhero genre, symbolizing secret identities and the dangers of vigilantism. Nova’s mask, which she only wears when she is acting as Nightmare, symbolizes her ambiguous role as both a villain and a hero. Unlike Sentinel’s mask, which covers his entire face, Nova’s only covers only the lower half of her face, leaving her eyes exposed. Nova’s refusal to cover her whole face symbolizes her potential for change and her desire to be “seen” for who she really is. Even though she has always hidden her identity, her half-mask suggests that her outward persona is not fully aligned with her deeper desires.
Unlike the masks of Nova and the Dread Warden, Sentinel’s mask covers his entire face. The Dread Warden and the Sentinel are both implied to have “secret” identities, but their very different masks symbolize their true goals and status. The Dread Warden needs only a token mask because his identity is publicly known. The Sentinel, on the other hand, has a reason to hide his identity as Adrian, and the persona also functions as a method for Adrian to confront his hidden fears and trauma by seeking out justice for his mother’s death. Thus, the characters’ various approaches to their masks deliver deeper messages about their hidden motives and attitudes toward their own identities. The Dread Warden’s relative maturity and fame render a true mask useless to him, but because Nova and Adrian both struggle to allow themselves to be seen as they are, they rely upon alternate identities in order to survive.
Ace Anarchy’s helmet symbolizes the power struggle between the Anarchists and the Renegades, thereby exploring The Consequences of Wielding Power. However, on a more personal level, the helmet represents loss. At first the novel implies that Nova is grieving the death of her uncle, but when he is revealed to be alive and well, the helmet then becomes a symbol of ideological loss for Nova, who laments the fall of the Anarchists from power. Although the helmet’s true powers are never fully explained, it is also implied to be the lynchpin for the entire war; if the Renegades were to use it, they would crush the Anarchists, and the Renegades’ possession of the helmet is therefore an active risk for Nova’s allies. Because the Renegades have chosen not use the helmet thus far, it is clear that they are at least somewhat aware of the consequences of their superpowers.
Guns are a motif for the cost of power and violence and for the fragility of life. The Renegades primarily use stun guns, while Nova and the other Anarchists use real guns or poisoned dart guns that typically prove fatal. However, Nova repeatedly refuses to kill with guns, and she only uses an ordinary handgun at the very end of the novel. Even then, her motivation is to save others, and she shoots her former ally, Ingrid, through the head in order to prevent the woman from causing much greater carnage.
Throughout the narrative, very few characters die from the use of superpowers, and the author therefore uses gun-related imagery to explore death as a brief moment that has far-reaching effects. Gunshots always happen suddenly, but the effects of a character’s death extend far beyond the moment of their demise, reflecting the harsher aspects of a world in which death has very real and devastating consequences. In this context, the Renegades’ general refusal to use guns to kill also functions as a form of virtue-signaling, for this policy contrasts with their blatant abuses of their powers and the tendency of certain Renegades, like Frostbite, to terrorize others.
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By Marissa Meyer
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