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Summary
Chapter Summaries & Analyses
Volume 1, Chapters 1-3
Volume 1, Chapters 4-6
Volume 1, Chapters 7-10
Volume 1, Chapters 11-15
Volume 1, Chapters 16-18
Volume 1, Chapters 19-23
Volume 2, Chapters 1-6
Volume 2, Chapters 7-11
Volume 2, Chapters 12-15
Volume 2, Chapters 16-19
Volume 3, Chapters 1-3
Volume 3, Chapters 4-10
Volume 3, Chapters 11-14
Volume 3, Chapters 15-19
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Book Club Questions
Tools
The education of women in the early part of the 19th century often depended on their parents and tutors and would consist less of traditional topics like classic languages and more of the “accomplishments,” described by Miss Bingley: “music, singing, drawing, dancing, and the modern languages” (39), as well as other traditionally feminine arts listed by Darcy, such as “paint[ing] tables, cover[ing] screens, and net[ting] purses” (38). Women would be encouraged to read books teaching of household care and female conduct, such as “Fordyce’s Sermons” (67), Mr. Collins’s reading choice at Longbourn. A woman seeking additional knowledge could, in Darcy’s words, “add something more substantial, in the improvement of her mind by extensive reading” (39). Elizabeth reiterates this point to Lady Catherine, explaining that, while they had no governess to teach them, they “were always encouraged to read, and had all the masters that were necessary” (158). As women were not admitted to universities or most professions, and as estates often were left to the eldest son—the estate of Mr. Bennet, who has no sons, is entailed to Mr. Collins, and each of the five Bennet daughters will receive upon Mrs. Bennet’s death one-fifth of her dowry, or a mere “one thousand pounds” (102)—women without a fortune would either depend financially on the kindness of their male and married relations or enter a traditionally feminine trade, becoming a governess or housemaid. Or, they could marry.
From the first chapter of the book, marriage is established as the central theme of Pride and Prejudice. The desperation with which Mrs. Bennet seeks to marry off her daughters to rich men speaks to the limited options for women in Austen’s day and of the very real concern over the futures of unmarried daughters. She laments that Mr. Bennet’s “estate should be entailed away from your own children” (60) and is soothed by Mr. Collins’s commitment to marry one of her daughters, for it means that Longbourn will remain in the family. When Elizabeth rejects Mr. Collins’s proposal, Mrs. Bennet calls her “undutiful” (108), seeing her daughter’s refusal to form this alliance with Mr. Collins as the throwing away of an opportunity to ensure her family’s financial security. Not surprisingly, she is delighted by the possibility that her younger daughters will benefit from Jane’s marriage to Bingley, for “Jane’s marrying so greatly must throw them in the way of other rich men” (95).
Charlotte Lucas, as a woman “of twenty-seven” who has never “been handsome,” understands that marrying Mr. Collins is her best option for “preservative from want” (117). Though Charlotte finds Mr. Collings “irksome” and “neither sensible nor agreeable,” marriage is the surest way for her to avoid “dying an old maid” and being dependent on her brothers (117). Accepting that “[h]appiness in marriage is entirely a matter of chance” (23) and that by marrying Mr. Collins she has “as fair” a chance “as most people” (120), Charlotte reflects a practical, disillusioned view of marriage that takes into considerations the realities of women in her time.
In Pride and Prejudice, Austen depicts a variety of marriages. Marrying for passion, like Lydia and Wickham, is unlikely to bring “permanent happiness” (290)—as is demonstrated by the marriage of Elizabeth’s parents, who were brought together because Mr. Bennet had been “captivated” by his wife’s “youth and beauty” (221) but quickly lost “all real affection for her” (221). Loveless marriages are presented as empty or sad; Lydia and Wickham, forced to marry as a result of their rash, imprudent behavior, live forever in financial straits, and Mr. Bennet is driven to his library to escape his wife. Charlotte similarly spends much of her time in a sitting room in the back of the house, far from Mr. Collins’s own room in front, and encourages her husband to garden outside as much as possible.
Despite the limited options for women, by concluding with two happy marriages, Pride and Prejudice ends hopefully, suggesting that women who refuse to sacrifice happiness for financial security, or vice versa, truly can have both. In order to reach this happy conclusion, however, Elizabeth and Darcy must defy conventions about marriage and female conduct. Elizabeth possesses what Miss Bingley calls “conceited independence” (36), brazenly ignoring standards for femininity bolstered by Mr. Collins. Darcy is drawn in by Elizabeth’s intelligence and is stimulated by their fresh, witty conversations. He also defies convention by marrying a woman who, in the words of Lady Catherine, is “of inferior birth, of no importance in the world” (331).
Ultimately, Pride and Prejudice contrasts Charlotte’s practical approach to marriage with Elizabeth’s romanticism, suggesting the necessity of the former while not eliminating the possibility of the latter. Though Elizabeth finds Charlotte’s marrying Mr. Collins for “worldly advantage” a “humiliating picture” (120), readers can understand Charlotte’s conclusion that the marriage is her “only honourable [sic] provision” (117). Mr. Collins’s sense of entitlement—his disbelief that he could be rejected—while obnoxious, is the result of this patriarchal system. Elizabeth’s escape therefore can be seen as the exception rather than the rule.
When Lady Catherine complains that Pemberley will be “polluted” (332) if Darcy marries Elizabeth, a woman “without family, connections, or fortune” (331), Elizabeth retorts that she and Darcy are “equal” because Darcy “is a gentleman” and she is “a gentleman’s daughter” (331). Lady Catherine admits Elizabeth is a gentleman’s daughter but asks, “But who was your mother? Who are your uncles and aunts?” (331). Mr. Bennet and Darcy are both part of the landed gentry, a class of landowners whose income consists of that earned by the land, sometimes through rent brought in by tenant farmers. Members of the landed gentry earned their living by managing the land, rather than in trade. Lady Catherine therefore is reminding Elizabeth that her father married beneath him, for Mrs. Bennet comes from a family of lawyers, including her father, brother (Mr. Gardiner), and brother-in-law (Mr. Philips, “who had been a clerk to their father, and had succeeded him in the business” [28]).
As land was equated with social standing, tradesmen were beneath the landed gentry, though they could make good money in their trade, sometimes surpassing the income of those in the landed gentry. One example of a wealthy tradesman is Bingley. Bingley’s father, who had left Bingley a vast fortune, “had intended to purchase an estate, but did not live to do it” (17). Austen writes that Bingley’s “sisters were very anxious” (17) for Bingley to purchase an estate, which would place them properly in the landed gentry. Despite the fact that “their brother’s fortune and their own had been acquired by trade” (17), their fortune is greater than that of Mr. Bennet, who has not “laid by an annual sum” (286). Though their mocking of the Bennets is ironic given their connection to trade, they consider themselves superior for their wealth and family connections.
The Bingley sisters are far from the only characters in Pride and Prejudice who exhibit social pretension and snobbery. Mrs. Bennet embarrasses Elizabeth by assuring Darcy the city has no advantage to the town, for she and her family “dine with four-and-twenty-families” (43). Sir William Lucas, who “had made a tolerable fortune” in trade, earned “a knighthood by an address to the king during his mayoralty,” an honor that had “been felt too strongly” (18). Though Sir William’s fortune is evidently not great enough to ensure an adequate dowry for his daughter, Charlotte, he puts on airs both with Darcy—to whom he professes to know about “superior society” (26)—and with Mr. Collins, to whom he states that “his situation in life” (153) has provided him with “knowledge of what the manners of the great really are” (153). Sir William, however, like Mr. Collins, is overwhelmed and in awe of Rosings and Lady Catherine, to whom he can barely bring himself to speak.
Like Sir William Lucas, Mr. Collins attempts to make himself look superior through his connections to the wealthy. Mr. Collins’s reverence of Lady Catherine is revealed as early as his letter to Mr. Bennet and continues to be his defining quality throughout his stay at Longbourn. He brags about his connection to her at every opportunity, using it as evidence of his own importance. At the Netherfield ball, he dismisses Elizabeth’s warnings that his approaching Darcy is “imprudent,” telling her that he is “more fitted by education and habitual study to decide on what is right” (94). He regales the Bennets with tales of his many dinners at Rosings and Lady Catherine’s generous advice as to his manner of living. He delights in his ability to show “the grandeur of his patroness” (152) to Elizabeth, Sir William, and Maria; once there, he agrees with everything Lady Catherine says, “thanking her” every time he wins at cards “and apologizing [sic]” (159) when he wins too much. His compliment to Mrs. Philips that her apartment reminds him of “the small summer breakfast parlour [sic] at Rosings” (73) is in truth a boast of his own relationship with the wealthy Lady Catherine. Like Sir William and Mrs. Bennet, Mr. Collins unwittingly debases himself, refusing to see that his obsequiousness merely distinguishes him further from the object of his awe. Later, at Pemberley, Elizabeth is pleased when Darcy speaks with Mr. and Mrs. Gardiner who, unlike her other friends and family, exhibit “intelligence,” “taste,” and “good manners” (238).
Austen seems to suggest that regardless of wealth or status, true class is indicated in one’s behavior. Despite Lady Catherine’s money and circumstance, her dinner party “did not supply much conversation” (156). Lady Catherine demonstrates ill breeding in her arrogance, stating that her daughter is more beautiful than most women “because there is that in her features which marks the young woman of distinguished birth” (65); she also claims she has “more true enjoyment of music” (165) than anyone in England, even though she doesn’t play—a comment that contributes to Darcy’s feeling “ashamed” (165). In contrast, Mrs. Annesley, Miss Darcy’s attendant, is “a genteel” woman “whose endeavor to introduce some kind of discourse proved her to be more truly well-bred” (249) than Bingley’s sisters. Jane and Elizabeth, though not wealthy, are honest, thoughtful, and unpretentious. That Darcy and Bingley defy their wealthy relations’ protests and marry women of true good breeding suggests the futility of snobbery and entitlement.
At the Meryton ball, Darcy’s pride makes him prejudiced against the townspeople: he declares that the idea of dancing “[a]t such an assembly as this” is “insupportable” (13). He falls in love with Elizabeth against his will and even in his proposal fixates on her “inferiority” (179). Elizabeth’s rejection, though “inexpressibly painful,” forces him to reevaluate his haughty behavior. He admits that he’d proposed expecting to be accepted and that he was “properly humbled” by her rejection, which showed him that “a woman worthy of being pleased” (343) deserves more. By the end of the novel, Darcy’s changed behavior proves that he’s taken these lessons to heart. He is kind and gentle with the Gardiners, and he tolerates the “parading and obsequious civility” of Mr. Collins and the “vulgarity” of Mrs. Philips with “admirable calmness” (356). When he anonymously settles Wickham’s debts, it is a selfless sacrifice where he helps two people he personally dislikes, wholly for Elizabeth’s benefit, without any hope of being acknowledged.
Darcy’s comment at the Meryton ball that Elizabeth is merely “tolerable” (13) wounds her pride and clouds her perception of him through much of the novel. Missing the signs that he loves her, Elizabeth assumes he pays attention to her to find ways to criticize her and tells him she believes he wants only “the pleasure of despising my taste” (50). At Hunsford, she believes he meets her on her walks because of his “willful [sic] ill-nature” (173). In fact, when Charlotte, at the Netherfield ball, suggests Elizabeth may enjoy dancing with him, Elizabeth flatly admits she wants to hate him: “That would be the greatest misfortune of all! To find a man agreeable whom one is determined to hate!” (88). After reading the letter Darcy writes after she rejects his proposal, Elizabeth is horrified to discover that her attraction to Wickham has made her “blind, partial, prejudiced, absurd” and that she, who has “prided myself on my discernment,” has “courted prepossession and ignorance” (196). Like Darcy, she amends her behavior; as she falls in love with him, she regrets having spoken so strongly against him.
Elizabeth's prejudice against Darcy also colors her opinion of Miss Darcy, whom she assumes, based on Wickham’s report, to be proud. This opinion is formed without her having met Miss Darcy who, it turns out, is merely shy. Upon meeting, the two women like each other instantly and ultimately form a special bond.
Bingley’s sisters insult Jane behind her back, stating “there is no chance” (36) of Jane marrying their brother because her uncles work in trade and laughing “at the expense of their dear friend’s vulgar relations” (36). However, shortly after, they visit Jane in her room “[w]ith a renewal of tenderness” (36). One afternoon, as she and Darcy are walking in the garden, Miss Bingley, in an attempt to dampen his attraction for Elizabeth, teases Darcy about Elizabeth’s family; when they encounter Elizabeth, Miss Bingley worries “they had been overheard” (51). The Bingley sisters’ duplicity contrasts with the honesty of Jane and Elizabeth: the elder Bennet sisters say what they feel, never masking malice with false kindness.
In fact, Elizabeth’s honesty is what attracts Darcy to her, making Miss Bingley’s blind agreement with everything he says that much more unpalatable. Darcy, who states that “disguise of every sort is my abhorrence” (182), tells Bingley his disparagement of his own writing is an “indirect boast” (47); later, he flatly tells Lady Catherine that his sister “does not need” (165) her advice that she practice the piano. He and Elizabeth are also honest with themselves, taking seriously each other’s criticisms and overcoming their misunderstandings to reach their happy ending.
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By Jane Austen