79 pages • 2 hours read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Alongside men she doesn’t know, in an Afghan village that is not her home, 13-year-old Parvana buries her father. This village, along with many others in Afghanistan, is all too familiar with death because of the ongoing war. The Taliban does not take kindly to women who venture out alone, so Parvana dresses as a boy and wears her hair cut short. She calls herself Kaseem, and the men at the funeral believe her to be a boy. One of the men invites her to stay with his family, and she follows because she has nowhere else to go. She gathers the few supplies she and her father carried on their journey from Kabul and follows the man through the bomb-damaged village to his mud hut. The man and his wife invite Parvana to stay in the village and make her home with them, but she knows she must continue on her journey to find her family—her mother, sisters Nooria and Maryam, and baby brother Ali.
Parvana agrees to stay for a time and returns to her father’s grave to pile more rocks on top of it. The rocks not only mark his grave but will also deter people from digging up his bones for money. The children in the village proudly show her a rusty Soviet tank that sits abandoned on a nearby hilltop and play battle together. Parvana has seen many tanks and downed airplanes, evidence of Afghanistan’s war-torn past and present. That night at the man from the funeral’s house, his oldest daughter wakes Parvana and tells her she overheard men in the village talking about turning Parvana over to the Taliban in exchange for money. Parvana gathers her things and leaves immediately. After walking alone through the night and next day, Parvana feels lonely. She misses Shauzia, her best friend from Kabul, and she decides to write her a letter.
As she walks, Parvana reflects on the many things her father taught her when they walked together. He had been a history teacher, but he was knowledgeable in many subjects and passed on his knowledge to her at every opportunity. Parvana hears a strange wailing sound and sees that it’s coming from a woman. She tries to talk to the woman to see if she’s all right, but the woman only wails with deadness in her eyes. Parvana’s father told her that people like this are already dead inside and cannot be helped except by a special doctor. Knowing she cannot help the woman, Parvana continues walking.
Fittingly, the novel begins with a sad event: the funeral of Parvana’s father. This somber beginning sets the tone of sorrow and despair that continues throughout the book. From the very beginning, Deborah Ellis shows that this will not be a light, cheerful read. Ellis uses cultural words such as mullah (religious teacher) and jenazah (prayer for the dead) to describe the funeral from Parvana’s point of view and to note the Muslim traditions involved in a burial (11).
Ellis establishes a description of the novel’s setting in Afghanistan throughout the first chapter. She describes the physical surroundings: a dry landscape full of rocks and a small village of mud houses and rubble. In addition, she explains the way of life for contemporary Afghan citizens. Many villagers rebuilt their houses several times after each bombing. Clearly, the people are poor to live in such meager circumstances, a fact underscored when the village men are willing to turn Parvana over to the Taliban for money.
War has taken its toll on this land and its people. The small village has a disproportionately large graveyard, and the men who remain in the village are either elderly or already maimed from the war. All of the other young men either fight in the war or have already died. Even the village children are deeply influenced by war; they play on a nearby abandoned Soviet tank and proudly show it to Parvana, saying, “We are the only village in this area with its own tank” (19). The children play war with each other, shooting with “finger guns until they [are] all dead” (19). Wars—both past and present—have been such a constant aspect of life in Afghanistan that violence and death became normalized. For these children, living in the midst of war is all they know. Finally, we see another result of war when Parvana finds the wailing woman in Chapter 2 who is beyond the reach of her help. Like this woman, many lost so much that they simply shut down internally. Ellis shows the way wars have shaped both the physical and emotional landscape of Afghanistan and introduces the reader to this war-ravaged nation through which Parvana journeys.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Deborah Ellis
Action & Adventure
View Collection
Canadian Literature
View Collection
Family
View Collection
Fiction with Strong Female Protagonists
View Collection
Juvenile Literature
View Collection
Memorial Day Reads
View Collection
Military Reads
View Collection
Realistic Fiction (Middle Grade)
View Collection
The Journey
View Collection