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40 pages 1 hour read

Forged By Fire

Fiction | Novel | YA | Published in 1997

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Symbols & Motifs

Fire

Fire is a major symbol within the novel. It is first introduced in Chapter 1, when Gerald is caught playing with Monique’s lighter: “She [makes] the fire come out and she [holds] his hand right over the flame” in order to “teach him a lesson” (6). Gerald’s fascination with fire quickly fades when he has a near-death experience after accidently setting the apartment on fire. From this point on, fire represents the trauma, abuse, and the harsh memories of Gerald’s childhood. He becomes haunted by “all of the hot fears and fiery memories that he had let fade over the last few years,” which “were only hidden, not forgotten” (30). Gerald is unable to fully separate his current life from his past, so he must learn to face and accept them.

Although these are tough experiences, they are formative for Gerald. He gains strength from them and matures into a responsible young man by the end of the novel. The novel’s title is significant as well. Gerald is “forged” by fire, implying that he is shaped by these hard experiences. When Jordan enters the story, he represents a new “fire” or challenge in Gerald’s life, which he must face. It is not coincidental that Jordan’s last name is “sparks,” which recalls fire, flames, and burning.

Clothes

Throughout the novel, the character’s clothing is often described. Each character has a relationship to their clothing, which reveals aspects of their personality. When Jordan first appears, he is wearing “shiny black cowboy boots with pointed toes and fancy stitching on the leather” (35). His cowboy boots are continually highlighted throughout the novel as a symbol of his toughness and masculinity. However, at the end of the novel, after he kicks Gerald “with the steel toe of his cowboy boots,” his cowboy boots make him slip, causing him to collapse during the house fire, leading to his downfall (150).

In stark contrast to Jordan, Mr. Washington is described as a better and more responsible man because he is one of those “black men in blue suits who had jobs in offices downtown” (74). Mr. Washington represents a different form of masculinity. He is a caring and dedicated father, whereas Jordan is selfish, abusive, and violent.

When Angel is first introduced, she is described as wearing a “long-sleeved dress that was too big for her and, even though it was hot, long black tights” (36). Angel’s body is almost completely covered, emphasizing the motif of Angel’s relationship with her body throughout the novel. She tends to make herself small and hide her true feelings as well as her bruises out of shame and self-blame.

Monique’s outfits are often described. It is implied that she cares a lot about her image and how she is perceived. For instance, during the trial, “she insisted on wearing a bright red satin dress even through Gerald and Angel told her to wear something a little more business-looking” (80). In response to her children, she expressed her desire for Jordan to see her “lookin’ good” before he goes to prison and goes “down to the bathroom six times in half an hour to check her makeup and hair” (80). Monique’s attachment to her clothes and appearance is a response to her need for Jordan’s validation and attention.

Music

Music is a symbol of healing throughout the novel. When Gerald and Angel are going through difficult situations, there is usually no reference to music. However, when they are healing and finding their voices, music tends to accompany their growth. For example, when Gerald and his friends are at a restaurant, they sing “in perfect harmony, a doo-wop version of the old Drifter’s song ‘Under the Boardwalk’” (97). This only happens after Jordan’s arrest, when Gerald starts to find a sense of community and support among his friends on the basketball team. For Angel, music allows her to “feel whole again” after Jordan is sent to prison (88). When Gerald senses Angel is in distress, he “[puts] a tape into her little cassette player” so she can dance away “all of the pain and memories of her past” to “the beauty of the music” (121).

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