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Longing to communicate with other lifeforms, humans create Arecibo: “an ear capable of hearing across the universe” (231). The narrator, a parrot, laments that humans don’t want to communicate more with its species, as humans and parrots are both already on earth.
The parrot goes on to explain the Fermi Paradox, “sometimes known as The Great Silence” (232). The Femi Paradox states that while the universe is old enough for a technological species to have journeyed across the galaxy, humans still haven’t found signs of life outside of Earth. Rather being loud and full of life, the universe is quiet, seemingly empty.
One hypothesis offers that intelligent life might be hiding from hostile invaders. The parrot believes this to be wise, as parrots themselves have “been driven nearly to extinction by humans” (231). Another explanation is “that intelligent species go instinct before they can expand into outer space” (231). The parrot is also understanding of this hypothesis, seeing as its species is facing extinction on earth. Mournfully, the parrot states, “Soon this rain forest may be as silent as the rest of the universe” (232).
The parrot then tells the story of Alex, an African gray parrot, who Irene Pepperberg studied for 30 years. Irene showed that “not only did Alex know the words for shapes and colors, he actually understood the concepts of shape and color” (232), proving parrots’ cognitive abilities. Unfortunately, Alex died prematurely, his last words to Irene being, “You be good. I love you.” (232). Again, the parrot wonders why human beings are looking to the stars to connect with other lifeforms when other animals on earth already offer so much.
The parrot continues to mourn the premature extinction of its species. Not only will parrots be gone, but so will their myths, their language, and traditions. The parrot is not angry with humans, however, reasoning “[Humans] just weren’t paying attention” (235). Before the parrots are gone forever, the narrator informs the reader its species is “sending a message to humanity” (236), hoping Arecibo will pick it up. The story ends with the parrot stating, “The message is this: You be good. I love you” (236).
In this story, Chiang utilizes anthropomorphism to dramatize the ecological impact of humans from the perspective of a non-human character. The narrator, a parrot, is completely vulnerable to the whim of humans, which has, sadly, resulted in its species near-extinction. By choosing to write the story from the point of view of an animal, Chiang is encouraging readers to consider the perspective of other lifeforms on this planet. The choice of a bird, which we often associate with chirping, singing, and calling, contrasts effectively with the images of loneliness and silence established in the Great Silence passages. Importantly, while the parrot believes “it’s likely that we’ll die before our time and join the Great Silence” (236), it hasn’t happened yet, giving the story immediacy and urgency: It’s not too late for humans to save the parrots.
“The Great Silence” also creates parallels between humans and parrots to build sympathy for a non-human species. For example, both species appreciate creating sounds. The narrator tells us parrots, like humans, are vocal learners, “we can learn to make new sounds after we’ve heard them” (233). Similarly, each Parrot has a specific “contact call” (232), and the narrator describes Arecibo as “humanity’s contact call” (233). By including these parallels, the story establishes a commonality between two very different species, further encouraging readers to sympathize with animals.
Chiang uses the true story of Alex the African gray parrot to foreshadow the potential fate of all parrots. Alex died when he “was still relatively young,” (232), the same way parrots may go extinct prematurely because of human activity. Alex’s last words, too, become the potential final message of all parrots. By telling the story of Alex, the final lines have a coded meaning, letting the end of the story carry an even heavier emotional impact.
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