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28 pages 56 minutes read

Evangeline: A Tale of Acadie

Fiction | Poem | Adult | Published in 1847

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Symbols & Motifs

Light

Light is symbolically linked to Evangeline on many occasions, presenting her as a heavenly being. In Grand-Pré, before the calamity, when she walks home from a church service, “a celestial brightness . . . / shone on her face and encircled her form” (Part 1, Canto I, Lines 59-60). When she ascends the staircase at night, the darkness is “[l]ighted less by the lamp than the shining face of the maiden” (Part 1, Canto III, Line 95). In Louisiana, as she continues her search for Gabriel, she dreams, “and the dawn of an opening heaven / Lighted her soul in sleep with the glory of things celestial” (Part 2, Canto II, Lines 84-85). A short while later, her heart “[g]lowed with the light of love” (Part 2, Canto II, Line 132). The light that is within her helps to elevate her beyond the troubles she is experiencing. At one point she is even referred to in the village as the “Sunshine of Saint Eulalie,” a reference to a fourth-century Christian martyr: “for that was the sunshine / Which, as the farmers believed, would load their orchards with apples” (Part 1, Canto I, Lines 125-26).

Sorrow

The drawn-out suffering and sorrow of the Acadians and of Evangeline in particular is a recurring motif. The words “sorrow” and “sorrowful” occur a total of 18 times in the poem. When the men of Grand-Pré first hear about the expulsion, they let out “a wail of sorrow and anger” (Part 1, Canto IV, Line 68). Father Felician then implores them to take note of the image of Christ on the cross, whose “sorrowful eyes” contain “meekness and holy compassion!” (Part 1, Canto IV, Line 94). This shows that Christ shares the sorrows of humanity, and it also reveals the link between sorrow and faith that is apparent throughout the poem. Religious faith is a way to cope with misfortune and grief. If sorrow is understood and handled wisely, it can make a person stronger, as it does with Evangeline. The necessity of such a response is abundantly clear. As the Acadians assemble at the shore awaiting deportation, the “sorrowful faces” (Part 1, Canto V, Line 70) of the people tell their own story. When Evangeline’s father dies that same day, the priest “repeated the service of sorrow,” and nature echoes it: “Lo! with a mournful sound, like the voice of a vast congregation, / Solemnly answered the sea, and mingled its roar with the dirges” (Part 1, Canto V, Lines 135-37). Thus, nature as well as Christ shares in human sorrow. For Evangeline, sorrow is her constant companion as she searches unsuccessfully for her husband, but she learns greatly from it: “Patience and abnegation of self, and devotion to others, / This was the lesson a life of trial and sorrow had taught her” (Part 2, Canto V, Lines 31-32). Only at the very last, after her momentary reunion before Gabriel’s death, does Evangeline’s sorrow abate: “All was ended now, the hope, and the fear, and the sorrow” (Part 2, Canto V, Line 125).

Compass Flower

The flower imagery in the poem is mainly decorative, contributing to the many descriptions of nature’s beauty. One passage, however, stands out because it treats flowers symbolically, that is, they stand for something other than themselves. It occurs in Canto IV of Part 2, when Evangeline is staying at the Jesuit Mission. The Back Robe priest shows her a compass flower, pointing out to her that its leaves are pointing north. He explains that God created the flower to guide the traveler through the vast desert. He then tells her that the plant symbolizes religious faith, which also acts as an unfailing guide for the traveling soul. He contrasts the compass flower with other, more gaudy flowers. These “blossoms of passion, / Gay and luxuriant flowers, are brighter and fuller of fragrance, / But they beguile us, and lead us astray, and their odor is deadly” (Part 2, Canto IV, Lines 145-47). Thus, for the priest, these colorful flowers symbolize the tempting distractions of the world, including the deceptive pleasures of the senses, in contrast to the steadiness of the compass flower, since the way of faith it symbolizes is the true path in life.

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