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Nick walks down to the village. On the way there, he runs into a Buddhist monk, who doesn't speak back when Nick speaks to him. Nick offers him some of his breakfast and then hurries off. The village had been bustling a moment ago when Nick looked through the windows of the house, but now it is silent. He calls out, and no one answers. He pops his head in a nearby house and looks at the charcoal stove, sleeping mats, and brightly colored longyi—wraps that the Burmese wear tied around their waists. When he comes out of the house, a shadow has been cast over the small village houses. The animals look up at the shadow as it approaches, equally frightened: “Something yellowish, dense, as big around as a lamppost appeared from behind the house, followed by a massive gray trunk, then a head ears, legs the size of small trees. The biggest animal he had ever seen stepped out into the open [...] Hannibal” (39). Hannibal has become violent since being attacked by a tiger and now wears an iron bell. He smacks Nick, throwing him on his back, and then approaches as if to gore him. Nick sees his life flash before his eyes, but Hannibal backs off and walks away, disappearing into the distance.
Mya waits outside the house for Nick to come outside. She knocks but gets no answer and assumes he is still asleep. While she waits, she reflects on her surprise that her father allowed her to do this important task. He also let her care for Miss Pretty, the new elephant, and his willingness to let her take on these responsibilities makes her wonder if she might be allowed to become a mahout after all. This is Mya's lifelong dream, but nobody supports her; she recalls her father's words: “It's tradition! Women are not allowed to become mahouts. It's bad luck to even think about it!” (44). That morning, Mya had cared for Miss Pretty, giving her some food and planning to go back later to check on her with Nick. Finally, after two hours, Nick stumbles back to the house, covered in mud and obviously in pain. Mya asks what is wrong, and Nick says he fell on his walk. Nick seems disappointed that Mya is his guide but goes inside to change and walk with her anyway. Mya waits outside, claiming Hawk's Nest is haunted.
Nick takes a hot bath to soothe his cracked and broken ribs from Hannibal's swat, and then meets Mya downstairs. They walk for about six miles to the elephant training camp, where Magwe and some other mahouts use Burmese to yell at Mya. Magwe says women are not welcome at the camp, but the monk Nick saw near the plantation intervenes and allows Nick and Mya to tour the site. Nick learns about elephant training and meets two five-year-old calves. He also meets a bull elephant going through musth, “a period of temporary madness” (59). Mya reveals that the monk, who approaches the raging bull elephant and speaks into his ear, is the famed monk Hilltop, who came to the plantation with the Sergeant Major. He is thought to be over 100 years old, and he can speak to elephants in their own language.
These chapters focus on Mya’s experience of subjugation and inequality as she struggles to follow her dream to work with elephants. As she recalls her father’s words that “[w]omen are not allowed to become mahouts” (44), she realizes that tradition is holding her back and forcing her to hide her true ambitions. She often sneaks to the elephant training camp but can’t reveal her knowledge of the elephants’ behavior at the dinner table with her brother and father. Mya’s persecution only continues when Magwe harasses her and Nick for their presence at the training camp. Magwe claims that it is bad luck for women to be around the camps, but Hilltop appears to remind him of earlier years, when Nick’s grandmother would watch the elephants train. Though Mya is ultimately allowed to stay, it is only the support of an older man that gives her the power to reject Magwe’s harassment, indicating the patriarchal society in which Mya lives. Hilltop and the elephants are also an important part of this section. The author lends a magical quality to Hilltop’s character. As Mya says: “Hilltop can speak to elephants […] and the elephants understand” (61). This communication and connection to elephants suggests Hilltop’s strong character and his respect for all living creatures.
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By Roland Smith