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This chapter is written on November 16, 1943, also in the Gestapo headquarters in Ormaie, France. Having run out of paper, Julie cannot continue writing her confession, so it has been four days since she last wrote a chapter. She is devastated because the Nazis have shown her pictures of the burned out cockpit of Maddie’s plane. Though she does not describe the pictures, Julie believes that Maddie is dead.
After two days in the dark, locked in her room, she is taken to the basement to help the cook. Julie finds blank recipe cards and works out a deal with the cook to take them to von Linden. Certain sentences and phrases are underlined in this chapter. Julie admits that she is confused and has lost the thread of her narrative. She explains what happened to her in the weeks leading up to the writing of her confession, giving details of her torture. She realizes that nine days of her two weeks have elapsed. She decides to beg von Linden for more time, another week, to write down her story.
Julie takes up Maddie’s story again. Dympna arrives at Maddie’s air station with an Anson airplane. Dympna insists that Maddie accompany her on her mission, with her acting as Maddie’s instructor. Julie goes along for the ride. As a result of this flight, Maddie is taken into the Air Transport Auxiliary early in 1941. She receives training in how to fly without a radio or any navigation aids, at which she excels. At the same time, Julie enters the Special Operations Executive, beginning her work as a spy. Maddie does not know exactly what work Julie is doing. Julie gets specialized training, including how to perform a parachute jump. The two women trade letters, with Maddie writing to Julie’s home, Craig Castle, in Scotland.
Von Linden comes in to read Julie’s report and when he leaves, he makes Julie believe that he is about to execute her by setting her on fire with kerosene.
Julie writes this chapter on November 17, 1943 in the Gestapo headquarters in Ormaie, France. Instead of executing her, her captors delouse her hair with the kerosene. This chapter contains underlined portions.
Next, the Nazis give her an aspirin. She soon learns that she is being cleaned up in order to give a propaganda interview with Georgia Penn, an American broadcast journalist sympathetic to Fascist causes. Julie must explain how humanely she has been treated by the Nazis; in exchange, she will receive another week of life in which to continue writing her confession. Julie reveals that she knows from overhearing the loose talk of her guards that she is a Nacht und Nebel—or Night and Fog—prisoner, meaning that at some point she will simply disappear without a trace into the night and fog of war.
However, she is also put to work translating von Linden’s interrogations into French for the Nazis’ records. As a result of this work, she learns much more about von Linden’s interrogation methods, as well as the information extracted from her fellow prisoners. She works side-by-side with Anna Engel, the German civilian in charge of making sure Julie stays on task.
Back in Maddie’s story, Maddie begins work with the ATA, flying broken planes to and from repair and also sometimes ferrying passengers. She learns about the Special Duties flights, involving secret locations and passengers, which take place only during nights with a full moon. Maddie soon earns a reputation for being able to land accurately, within a short distance, in the dark.
Julie writes this chapter on November 18, 1943 from Gestapo headquarters in Ormaie, France. Julie has stolen some recipe cards during her translation work. She has learned from Engel that, if she is lucky, she will be sent to Ravensbrück concentration camp, which is for women only, where the prisoners perform hard labor until they are unable to work anymore; then they are hung. If she is unlucky—meaning if von Linden is not pleased by her report—she will be sent to Natzweiler-Struthof, a medical experimentation camp. Julie decides that she will try to arrange to be shot here in Ormaie before being sent away. She reexamines her list of fears and reports that she no longer fears growing old. She chastises herself for being silly and arrogant enough to fear old age; she desperately wants to grow old.
Back in the Maddie story, Julie reports that Maddie found herself in Scotland in November 1941, and went to visit Castle Craig. She finds it inhabited by Jamie, Julie’s favorite and youngest brother, whom Maddie met when she visited him in the hospital after he was shot down over the North Sea. He has a thumb and two fingers on each hand, and no toes. Lady Beaufort-Stuart has taken in eight refugee boys from Glasgow. Maddie arrives as Jamie is making the boys their tea, which consists of eggs and toast. The boys are called the Craig Castle Irregulars. They are sweet and funny. After Jamie puts the boys to bed, he and Maddie talk. Maddie recruits him to the Special Duties flying squadron. Their friendship grows.
Julie writes this chapter on November 20, 1943. Two days have passed since she last wrote. She is recording her thoughts about the radio interview that took place the day before with the American journalist, Georgia Penn. This chapter also contains underlined portions.
Even though Georgia Penn is broadcasting a pro-fascist radio program, quickly reveals to Julie that she is looking for Verity. Julie understands the code and answers that she is Verity. The two women carry on a coded conversation, right under von Linden and Anna Engel’s noses. Julie is able to show Georgia the wounds on her wrists and legs. In return, Georgia lets Julie know that everyone knows what is going on in this hotel prison. She tells Julie that the nickname for this hotel is “Le Château des Bourreaux” (131), or Castle of Butchers, a play on words off the original “Château de Bordeaux,” or Castle Bordeaux.
Later that night, von Linden stops by to have a literary conversation with Julie about Goethe’s Faust—wherein a man sells his soul to the devil. Julie discovers from Engel that von Linden was the headmaster of a school before the war and that he has a daughter only a little younger than Julie who attends a Swiss boarding school, just as Julie herself did.
During these chapters, several additional stresses on Julie are exposed. For example, though the physical tortures have mostly stopped, von Linden uses psychological torture, such as the threat of execution by fire, to try to rattle her courage and garner additional information from her. The pressure never lets up; at night, Julie hears the interrogation of other prisoners through a door connected to the interrogation room. Furthermore, von Linden enters Julie’s room after he’s finished his interrogations for the night and talks to her about literature. All of these techniques are intended to throw Julie off guard and weaken her psychologically.
The reader realizes by this point in the narrative that Julie is far from being the coward she claims to be. According to her own narrative, she has tried to escape at least twice, and she has bitten, fought, cursed, and hurt her captors at every chance. Because she is repeatedly described as a petite person, it takes courage to take on multiple people at once who are much larger than she is. Furthermore, she is constantly watching von Linden and Anna Engel, looking to see how she can take advantage of them in return. The interview with Georgia Penn shows Julie’s courage in action. Right under the noses of her captors, she shows Georgia Penn her injuries, and she responds to Georgia’s verbal code without missing a beat.
In Maddie’s storyline, both women are gradually recruited into more secret work, finally reaching the SOE, or Special Operations Executive. Julie and Maddie do not discuss their secret work, but their friendship continues as much as their duties allow. Furthermore, Maddie visits Castle Craig and develops her friendship with Jamie, Julie’s brother, who is also a pilot. Though romance is not in the forefront of this novel, Wein indicates that Maddie and Jamie may have more than just a platonic interest in each other. They are bonded together through their love of flying and for Julie. Wein’s depiction of a powerful female friendship is an implicit challenge to the cultural tendency to view women in terms of their romantic relationships with men. This challenge is reinforced by Wein’s refusal to dwell on the potential romance between Maddie and Jamie.
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