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In the fictional, pre-colonial African kingdom of Orϊsha, 17-year-old Zélie waits for Mama Agba’s to select someone to fight against Yemi as part of a self-defense graduation ceremony. Zélie is a divîner, a person with latent magical abilities, as characterized by her white hair, and this causes her to be stigmatized. Mama Agba forces Zélie to bow to Yemi as a sign of respect, and the two face off with staffs. When Yemi calls Zélie a maggot, the divîner breaks the designated exercise and the two girls fight furiously. Zélie is about to win when Bisi, another divîner, arrives and tearfully tells Mama Agba that “they” are coming. The girls hide the evidence of their fighting and replace it with sewing materials and mannequins. Zélie recognizes the uniformed guards who arrive as soldiers of King Saran. The men notify Mama Agba that the tax for apprenticing and employing divîners, the “maggot rates,” have increased (9).
Zélie protests that the guards are robbing them before realizing that the lead soldier carries a weapon made of majacite, a metal used to harm magical people. Mama Agba gives the man all her money, but he begins to assault Zélie until Mama Agba and the other soldier intercede. When the soldiers leave, Mama Agba scolds Zélie, reminding her of her duties to her father and brother. Bisi cries and Mama Agba holds her, then gathers the girls around and tells them their history.
Orïsha used to be a place where magic was gifted to the maji race from the gods to protect their tribes. Supposedly, corruption and abuse began amongst the magic users, and people grew to hate and fear them. King Saran determined how to eliminate magic 11 years ago, then ordered his soldiers to kill the trained magic users while their powers were gone, including Zélie’s mother. Mama Agba claims to teach the girls self-defense against those who would hurt them because of their maji ancestry. Mama Agba dismisses all the girls but Zélie, who notes that Mama Agba does not have the divîner white hair and would be spared abuse if she left the girls alone. Mama Agba forces Zélie to promise caution and restraint in the future, and gives her a black metal rod covered in ancient symbols depicting the old woman’s lessons. Zélie has graduated. The moment is interrupted by Tzain, Zélie’s older brother, who reports trouble with their father.
Zélie and Tzain run across the wooden pillars of their ocean village home, Ilorin. As they run, they argue over the responsibility of watching their father, Baba. Zélie spots her father out at sea and fishermen rowing to reach him. Baba vanishes underwater and Tzain dives into the ocean after him, reminding Zélie of when Tzain drowned and their mother brought him back to life with blood magic. She has almost given up hope when Tzain emerges from the ocean with their father.
Later, Baba, Tzain, and Zélie sit in their hut along with Zélie’s lionaire Nailah, a giant horned feline that Zélie raised from a cub and can be ridden. Baba says that soldiers came for a tax and Tzain grows enraged at the increase in fees they must pay. Baba tells them that the soldiers threatened Zélie with forced labor if the tax was not paid. He has also lost the boat, meaning they have no way to earn an income. Zélie decides to take their recently caught, extremely rare sailfish to Lagos and sell it to someone who could afford the high price. Baba decides that Zélie will go to sell the fish and Tzain will go to make sure she is kept safe, while he will hide with Mama Agba until their return.
Princess Amari, the teenage daughter of King Saran, sits at a luncheon with other women. Her mother is displeased with her behavior. Amari is invited to the estate of Oloye Ronke, but her mother denies the request and Oloye’s eldest daughter Samara speaks disparagingly of the local divîners. This upsets Amari because her maidservant and friend, Binta, is a divîner. When Amari asks a new servant where Binta is, she is told that Binta was escorted to the throne room. Inan, Amari’s older brother, bursts out of the palace and the women praise his appearance and the fact that he is the youngest captain in Orϊsha’s history.
Samara’s diamond bangle reminds Amari of the one she gave to Binta to pay the divîner tax. Realizing someone must have believed Binta stole it, Amari excuses herself and runs to the throne room. Afraid to confront her father, Amari waits outside until the throne room empties of servants and guards. Amari slips inside and hears Commander Kaea and Admiral Ebele speaking to King Saran about artifacts that cause divîner powers to activate, turning them into maji. Kaea presents a scroll to the King and references the sunstone, stolen before they could retrieve it. Ebele confesses that he failed to destroy these artifacts years prior and threw them to the bottom of the ocean to hide them. The King chokes Ebele and throws him to the ground, then calls for Binta to be brought forth. When presented with the scroll, the maid’s hand unleashes light, and the King kills her immediately. Amari runs up a corner stairwell and vomits into a vase. A guard comes up the stairwell carrying the scroll to Kaea’s rooms. After the soldier leaves, Amari enters Kaea’s chamber. She finds her father’s cloak there and realizes he is having an affair with the Commander. Amari touches the scroll on Kaea’s desk and, when no magic bursts forth, grabs her father’s cloak.
Zélie and Tzain argue on their way to Lagos until Zélie realizes he will never understand what it is like to be a divîner. They arrive at the city and see the divîners isolated in the slums, the result of further persecution. Tzain decides to wait outside the city with Nailah and gives Zélie a dagger for protection, stating that that he and Baba are worried for Zélie’s safety. At the gate, a drunken guard sexually harasses Zélie, making lewd comments. Zélie forces herself to remain calm and is granted admittance into the city, where she is overwhelmed by the crowds and the overt discrimination of the other divîners. At the bazar, she spots a nobleman arguing with a fisherman, demanding swordfish. Zélie shows the nobleman her sailfish. She haggles and bluffs her way to a large profit, receiving payment just in time for guards to explode through a fruit stand. Zélie flees but is grabbed by an amber-eyed girl who begs her for help escaping. Although Zélie does not realize it, the girl is Princess Amari.
Without revealing her identity, Amari tells Zélie that she has done something unforgivable and, despite her fear, Zélie agrees to help. Zélie forces a clothing trader to switch Amari’s velvet cloak with a muted brown one. They attempt to leave the bazar but are stopped by guards. When one reaches to remove the girl’s hood, Zélie attacks him with her staff, and the two girls run away. They steal rum and a torch from two divîners. At the city gates, guards block their exit. Amari recognizes the captain as her brother Inan and drops to her knees. Zélie throws her makeshift explosive made from the rum and torch and the two girls run for the gate, ducking through the line of soldiers. Amari falls as the gate closes and Zélie turns back for her. They are about to be arrested when Nailah leaps over the gate and the girls climb on. As they flee, Zélie feels a lightning shock and meets the captain’s gaze as Nailah jumps onto the rooftops and back over the gate again.
Prince Inan returns to the palace, preparing for his father’s abuse and thinking of the escaped fugitives. His mother intercepts him and drags him to the throne room, where she dismisses everyone. Inan notices blood stains on the floor as his mother tries to argue that he should not be allowed to serve as captain. The King asks about Inan’s use of plural when describing the fugitives, and Inan tells him about “the divîner,” referring to Zélie. When Inan’s mother calls the King by his first name, Saran, he dismisses her. Inan prepares for a beating, but the King instructs him to pursue the fugitives alone, telling Inan that Amari is the thief.
Zélie, Tzain, and Amari travel halfway to the ocean before they stop. Tzain and Zélie argue before Amari speaks up, removing her hood and revealing her identity. Zélie attacks Amari out of rage, but Tzain intercedes, and Amari explains her fear of her father. Amari then reveals the stolen scroll and tells them it is capable of restoring magic, relaying Binta’s death. As Amari begins to cry, Zélie takes the scroll and feels an electric shock. She feels vibrations under her skin and is torn between hope that her magic is returning and fear of believing in that hope. Zélie picks up the scroll to study it again as Tzain warns her against being hopeful, asserting that he does not think magic can come back. Zélie has a flashback to the day her mother was killed. Tzain realizes that if they are caught with the scroll, Zélie will be killed. They mount Nailah again and grudgingly bring Amari along.
Inan is shocked to learn that Amari is the thief and sees his father’s rare fear. The King tells Inan about the maji who killed most of his loved ones years before. Inan is shocked again to learn about the King’s attempt to destroy the magical connection between the maji and their deities. King Saran killed those who had practiced magic because they knew what power was like, and he believed they would never stop seeking it. King Saran killed the maji so their children, the divîners, would grow up unknowing and fearful. King Saran orders Inan to bring his sister and the scroll back, telling him that Amari will be allowed to live if no one knows about her treason. Kaea steps into the room and tells them that the only divîner who has entered the city is Zélie Adebola of Ilorin, and the King grants Inan’s request for 10 men. Kaea accompanies him out of the room as the King tells Inan to burn Zélie’s village down if he must.
The trio arrives at Ilorin and Zélie takes Amari’s headdress, putting it away to hide her royal status. They go to Mama Agba’s hut and Tzain takes Baba to their home to pack. Amari is introduced, and Zélie recounts their day. When Mama Agba touches the scroll, she has a seizure and feels magic again, telling Zélie that she used to be a Seer and asked for a disease magician to make her white hair fall out before the raid to hide her identity. Mama Agba calls out to her god for a vision and explodes in light, creating an image of the three teenagers climbing a mountain. She then reads the contents of the scroll and says it is a ritual, telling the girls that it is their job to complete the ceremony and bring magic back. She directs them to the temple of Chândomblé, where answers wait for them. When she tries to reassure them, a scream for help rises in the night, and they rush outside to find that the village has been set on fire with arrows containing explosive powder. Zélie searches for her family. Their hut is on fire, and Amari blocks Zélie from rushing inside. Enraged, Zélie begins to drag Amari to the hut as it collapses into the ocean but is stopped by the sight of Tzain atop Nailah in the water, pulling a boat with Baba and Mama Agba.
As the survivors reach an inlet, Zélie feels guilty over the burning of her village and hopes that the souls of her people have ascended to the afterlife. When Baba speaks, he is filled with fury, reminding his children of the man he was before the night his wife was murdered and he was nearly beaten to death by soldiers. He orders the three teenagers to go to the temple and bring the magic back as soldiers reach the survivors. The family embraces and then the three teenagers ride away into the night.
Inan is horrified at what has happened to the village and the death that has resulted from the fire. Kaea approaches him after beating the soldier responsible for setting the fire too soon, causing the unnecessary destruction. Inan sees a turquoise cloud that Kaea cannot and gets an image of Zélie in his mind. He worries that he has been infected by magic but tells Kaea that the fugitives were at the village, pretending that he was told this by a villager to hide his magic vision. When Inan and Kaea interrogate the villagers, Inan hears their panicked thoughts. Kaea threatens an old woman and Yemi steps forward, promising to tell Inan everything she knows about Zélie in exchange for the villagers’ safety.
The three teenagers ride for hours and eventually find a place to sleep. Before resting, Zélie prays to Oya, Goddess of Life and Death, for guidance. Zélie dreams that she is in an unending field of reeds, and sees the captain she attacked, realizing that he is Prince Inan. He accuses her of trapping him in a prison and infecting him with magic, but Zélie realizes that the magic is his own when she sees a spot of white hair near his neck. Zélie believes Inan is a Connector, a magician who focuses on minds, spirits, and dreams. She is awed by the power he must possess, but does not understand how he can be magical without being born a divîner. Zélie taunts him, and when Inan lunges at her she wakes up. Back in her body, she realizes that Inan will now hunt her down to kill her so that his secret will remain safe.
The first 12 chapters of Children of Blood and Bone establish the historical context of Orϊsha, communicated through oral storytelling. The term “Orϊsha” derives from the orisha spirits of the West African Yoruba tradition, which inspired Adeyemi’s novel. The Yoruba orisha spirits serve as intermediaries between humanity and the divine, much as the maji and divîners of Orϊsha derive their powers from their gods. Oral traditions are fundamental to the Yoruba traditions, and Adeyemi reproduces this in her novel as a reference to West African culture. Mama Agba reminds the village girls of their connection to the gods, and the trauma they have survived, in a way that serves as a reminder to Zélie but new information for the reader. This expositional strategy helps orient the reader into the given circumstances of the novel. It also establishes the discrimination that divîners experience, and Adeyemi reinforces this political dynamic through the early depictions of Zélie’s daily life, ranging from financial abuse to sexual assault.
The novel splits its perspective between three characters: Zélie, a divîner; Princess Amari, daughter of King Saran and a non-magical person; and Prince Inan, heir to the throne and an unexpected maji. The different perspectives allow the reader to understand more fully the motivations of these characters, who are inspired by similar emotions, yet often portrayed as adversaries. All three characters have strong fears: Amari fears her father and the consequences of doing the right thing; Zélie fears a world in which magic continues to be suppressed, leading to the subjugation of the whole divîner community; Inan fears magic and his father, leading him to violence. Because each of them experiences fear differently, the reader is able to sympathize with each character’s emotions, complicating the portrayal of Zélie as protagonist and Inan as antagonist. Although the reader may not agree with each character’s choices, knowing why they react as they do provides depth to their development over the course of the novel.
Zélie’s combative relationship with authority figures such as the tax collectors and guards at the gate is contextualized by the discrimination the divîners continue to experience after King Saran’s genocide of the maji. She is impulsive and furious at injustices, but she is also trapped within a system that has subjugated her for years. Her simultaneous rage and fear make it difficult for her to think through her actions before taking them. This is exemplified in both her efforts to stand up to the tax collectors and her decision to help Amari in the capitol market. In high-stress situations, Zélie choses to fight rather than flee.
In contrast, Amari’s fear often leads her to freeze, making her reliant on Zélie and Tzain. Her major moment of rebellion comes in response to the death of Binta, which leads her to steal the magical scroll from Kaea’s quarters. Once she escapes the palace, she is lost and needs other, more experienced people to guide her through the world. Despite the power her fear has over her, Amari maintains a clear moral alignment and does not waver in her desire to help the divîners. When Mama Agba insists that Amari must help bring magic back to the continent, Amari agrees fairly readily. She fears divîners because of the stories her father has told her, but her closeness to her maid allows her to still view them as people and recognize her own prejudices. She overcomes the preconceptions she has about magic when she sees it for herself, showing strength when she begins to develop her own opinions instead of continuing to rely on her father’s.
Family plays an important role in character dynamics and motivation from the beginning of the novel. Zélie’s family was forever changed by the traumatic torture and hanging of her mother 11 years prior. During the event, Baba was severely beaten and has not recovered, forcing Zélie and Tzain to assume premature adulthood, often serving as caretakers of their father. The stress of Zélie’s divîner status further complicates their family dynamic, introducing an obstacle that must constantly be overcome. Meanwhile, Amari and Inan come from a family where their trauma stems from their abusive father. King Saran has made both of his children suffer so much that he is what they fear most. Because of this, the family lacks the emotional closeness of Zélie’s family, and conflict exists between the family members without the mutual goals of emotional, physical, or social wellbeing.
By the end of Chapter 12, Adeyemi establishes a classic fantasy plot with a new perspective. The search for magical artifacts and the quest to undo a curse are typical elements of a fantasy plot. Adeyemi puts a new spin on the genre by aligning the mythology of Orϊsha with real, West African traditions, and by portraying the discrimination against the maji and divîners as an allegory for racism in the United States.
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