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Norma Jeane receives a letter from her father offering his condolences about her miscarriage, and he also tells her that he hopes she will decide to come live with him in his mansion. He tells her that he hopes he can contact her again soon.
Despite some people thinking Some Like It Hot is the actress’s masterpiece, she realizes that her life is in ruins while she makes it. On set, she insists on doing many takes of her scenes to make them better. At one point, Norma Jeane becomes hysterical, and Doc Fell comes to her with medication. Norma Jeane does not believe she is Marilyn Monroe, but she still wants people to love Marilyn Monroe so that they will love Norma Jeane. She imagines her supporting herself and her father and him attending events with her. She wonders if he is ashamed to claim Marilyn Monroe as his daughter.
Her leading man, C, despises her. Meanwhile, the Playwright continues to try to help her. He is worried that she is trying to destroy herself with drugs. She has difficulty expressing anger onstage, and she is told that this is because she wants people to love her rather than destroy her. There are rumors that Marilyn, as she is now frequently referred to in the novel, is taking many drugs, and she gets them from numerous doctors who do not know about each other. Marilyn begins to arrive late for work or fail to show up at all, and she does not believe she deserves to live. The actor C is bitter toward Monroe, and once when he kisses her in the film, she accuses him of applying poison to his lips to kill her. Still, she is at times brilliant in her acting. During filming, she experiences significant insomnia, for which she takes drugs, and she is taken to the emergency room once.
Norma Jeane meets a brunette. She had wanted the brunette’s part, but they told her that she must be the blonde. The brunette considers them both high-class hookers, but Norma Jeane insists that acting is art and that she wants to be a great actress.
Again Norma Jeane thinks she is a “sad, sick cow piece of meat cunt that’s dead inside” (638).
The sharpshooter has been shooting things since he was a child. His killings are not vengeful. He began working for the Agency in 1946 and believes evil is now in America in the form of communism.
When Roslyn says “I miss my mother” in The Misfits, it is said that everyone knows that this is really the actress speaking these words. The Playwright wrote the screenplay. He continued to love Norma Jeane after she began to reject him. She meets up with H, who gave Norma Jeane her first film role. She believed she earned this role because she lay down while doing the scene, but he tells her it was because of her ass. She is happy that, in this film, she can be a woman rather than a blonde. By this time, her eyes are so bloodshot from drugs that it would have shown up had the film been in color.
Monroe begins to impress H in her performances. One day, she sees the Playwright’s desk, and on it, she sees a conversation as it played out between her doctor and him in which the doctor tells her that her uterus is so scarred from all the crude abortions she has had that she is unlikely to conceive any babies. One day, Norma Jeane feels stinging red ants in her mouth during her drugged sleep. The Playwright starts to worry that he will not survive losing Norma Jeane. Norma Jeane’s brain is now said to be broken. She costars with Clark Gable and thinks how he was the Dark Prince she used to watch in movie theaters; she used to think he was her father. She hopes that he is.
Marilyn sees her Magic Friend singing onstage. It is someone impersonating her, and she is upset that she is seen as being nothing more than something to laugh at.
This chapter is told in four parts. Norma Jeane is divorced and is told to present herself as a widow instead. People blame her for Clark Gable’s heart attack, saying that the stress of working with her brought it on. Norma Jeane wonders why she is always so lonely when so many people love her. She wonders what is wrong with her. She wants to complete legal paperwork to ensure her mother’s continued care should something happen to her. She believes that the studio has hired Otto to be her press representative, but the man is adamant that he is not him. Norma Jeane gets a Valentine envelope, and it is just the word “whore” printed in excrement.
Norma Jeane writes her mother a letter telling her that she is in her own house and that she is divorced. She also tells her that her father has been writing to her and that she purchased their old piano. She promises her mother that she will one day have grandchildren.
President John F. Kennedy tells the man frequently referred to as the President’s Pimp that he wants to date Monroe. The pimp tries to talk him out of it by saying he just wants to meet her in the cabana on the estate they are both at. The pimp tells him of the dozen abortions she has had, her drug habits, and her suicide attempts. He tells the man he wants her within the hour.
JFK tells Monroe that he knows what it is like to be lonely. She believes they fell in love quickly. She knows she should not drink because of her medications, but she does anyway. With him, she believes she is the girl from the subway grate rather than all those other girls who experienced tragedies. He tells her that he will call her Pronto. When they have sex, he tells her that she is dirty, and he is quite aggressive. They plan to meet again.
Norma Jeane gets calls from the President. She has heard that he passes women to his brothers, brothers-in-law, and friends when he is done with them, but she does not believe this will happen to her.
The Secret Service take Norma Jeane to her rendezvous with the President. They appear to scorn her, and they tell her that, unlike what she was led to believe, Kennedy will not be spending the weekend with her because he has to leave town. When they get to the hotel, she feels like she is a meat delivery.
Inside, she is given the opportunity to use the restroom. In there, she sees other tissues with lipstick on them. She goes in, and the President is on the phone on the bed. She sees dishes on the bed and a glass with lipstick. The two start to touch each other sexually, but he remains on the phone. Norma Jeane is frightened of the talk of missiles, and she does not like him pushing her head toward his penis because she does not see herself as a call girl. She thinks that if it is a scene, she can play it as long as it is not happening in real life. She sees herself in an elevator with someone causing her to lose consciousness by cutting off her breathing. When she wakes, another man is on top of her having sex with her. She tries to say no. Suddenly, someone attempts to bring her to consciousness. One of the men slaps her. She wakes up in LA when the plane lands.
Whitey cries, and she believes it is out of pity for her. She knows she never has to ask him not to tell stories about her. She has a high fever, and when a doctor tells her she should be in the hospital, she refuses. Whitey has had to call Norma Jeane in sick numerous times. She knows how much Whitey adores her, and she leaves him some of her royalties in her will. Norma Jeane asks Whitey to promise that he will do her makeup one last time after she dies; he agrees.
Norma Jeane dreams she is pregnant with Kennedy’s baby, and that she might be charged with manslaughter because it is deformed. She wakes up from a dream that she was chloroformed by the President’s men like she had been at the hotel. One day, she is lying by the pool when the President’s brother-in-law, the President’s Pimp, comes up to her. He finds it hysterical that she is reading Chekhov. He tells her they want her to come sing “Happy Birthday” to the President.
Marilyn is quite drunk and needs to be helped to the microphone. She sings “Happy Birthday” to Kennedy. She performs wonderfully, and she believes she is respected. She considers it to be the happiest day she has ever had.
Personified Death is coming to Marilyn’s door, but she does not know when. Cass has died. She learns from Eddy G that Cass left a memento for her. Her doorbell rings and she gets the message from Death. A delivery boy comes with the memento from Cass; it is the stuffed tiger. A card from Cass also lets her know that all the letters she has received from her father were really from him.
At night, someone comes to her as she lies naked in bed and puts chloroform to her face. She is then taken to a waiting room where Kennedy’s baby is aborted. She wakes up bleeding in her room and considers that it might as well have been a dream because no one would ever believe her.
One night, the Sharpshooter comes into her room, and he does not know if he is there to protect against communism or against the President’s reputation. He gathers some evidence, and he realizes that her death will seem plausible because of her alcohol and drug abuse. He injects Nembutal into her heart. Norma Jeane relives multiple memories, and the novel ends with her mother showing her the picture of her father, who appears to be smiling at her.
Near the very end of the novel, it is revealed that the letters Norma Jeane has been receiving from her father are actually from Cass. The cruelty inherent in this deception can be seen from two different angles. First, Cass knows how much a father figure means to Norma Jeane, and because his own father kicked him out of his life, he knows how much it hurts. In many ways, this father wound is the greatest wound Norma Jeane carries throughout her life. Cass knows this, and he uses this to hurt her in the deepest way he possibly could in revenge for aborting their baby. The contents of the letters are meant to build up both hope and shame in her. The shame comes when he critiques the sexual nature of her career, and the hope comes through when he talks about them living together one day; this sets her up for disappointment because the man in the letters is not really her father. Cass builds up all of this hope in her, but his ultimate act of cruelty comes after his death when he reveals in a letter to her that he was the writer all along, tearing away all hope she had been building for years in an instant. Cass loved Norma Jeane at one point, but his love dies, and his lack of character turns it into a hate so strong that he sets up an entire mirage just to hurt her in the most significant way he can, proving that neither himself nor his love were ever pure. This exploitation of her trauma speaks to the theme of The Trauma of Sexual Assault, Abuse, and Exploitation, as Cass used her weaknesses to capture her interest and then hurt her. In this sense, Cass proves to be as exploitative as the other men in her life, possibly pushing her over the edge with his final act of betrayal.
Norma Jeane’s mental-health decline and brilliance are showcased together, demonstrating the theme of Norma Jeane’s Struggle to Find an Identity. As she plays Sugar Cane, she has to be taken to the hospital, as she is abusing drugs to a degree that she never had in the past. Her mind is in such a chaotic state that she believes her costar is trying to kill her through poisoned lips, something that would not be possible because, had this been true, he would have died before she could even kiss him. Her professionalism also declines as she begins to fail to appear on set. Still, her performance is seen as brilliant. Through these depictions, Norma Jeane represents who she is at her core at this moment in her life: She is depicted as a brilliant actress who struggles with demons so deep that she is unable to overcome them. They subsequently threaten her life, and the mix between reality and non-reality blur her relationship to herself, preventing any true form of identity from developing.
Through the novel’s nonlinear, experimental style, it becomes apparent that Norma Jeane is anticipating her death. This is first shown when she completes the legal documents to ensure that her mother is cared for in the event of her death. It is again shown when she asks Whitey to do her makeup one last time after she dies. Her physical and mental health have deteriorated to a point where it is hard for even Whitey to make her look like Marilyn anymore. Her impending death is also obvious to others, and this is shown as Whitey does not protest when she asks him to make her up after death; it appears that he, too, knows this is inevitable, as he responds simply, “Miss Monroe, I will” (713). Further, Norma Jeane’s death is discussed as early as the Prologue, and the slow-building tension is impactful even when her fate is known. While the Playwright wishes to help her, there is nothing anyone can do, and nobody makes any serious attempts to help her stop taking drugs. As such, her physical decline is the result of her own addiction, brought on largely by the Studio’s doctors, her own traumas, and the inability of even those who love her to try to get her help with her addictions. Nevertheless, her physical health is not what ultimately kills her.
Historically, John F. Kennedy and Marilyn Monroe are rumored to have had an affair, but in the novel, this relationship amounts to nothing more than the use and abuse of Monroe at her most vulnerable moments. This fictional Kennedy is portrayed as setting his sights on Monroe and asking the man known as the President’s Pimp to set up a meeting with her. The two have sex, and he speaks in a demeaning manner during this encounter, calling her “you dirty girl” along with other demeaning phrases (687). Later, he asks her to fly out to him to spend the weekend together, but this proves to be nothing more than a short encounter in which he engages in sexual acts with her without even getting off the phone. She is then drugged, and another man rapes her while she is unconscious. While the motive behind Monroe’s murder in the novel is unclear, it is said that one of the two possible motives is to hide this relationship from the press. This serves as the final act of disrespect the fictional President pays to Monroe, and the world is left believing that she killed herself with drugs, leaving even her last moments tainted by scandal and lies. Out of all of the romantic relationships Norma Jeane engages in throughout the novel, her relationship with the President is shown to be the least humane, as he is the only one who has neither any respect nor care for her. The only lover in her life to truly want to care for her remains the Playwright, and tragically, Norma Jeane has been too misused by the time of their meeting to be saved by him. So, the prince finally arrives, but it is too late. Moreover, the loss of their child also represents the death of her dream of becoming a mother, and the relationships that followed, including the President, feel motivated by a desire to be wanted in order to be protected. However, in this final relationship, the opposite occurs, and her connection with the President presumably leads to her death. In the moments before she dies, Norma Jeane sees herself with her mother, looking at the photo of her father, who smiles back at her. Though tragic, Norma Jeane’s life has come full circle, bringing her back to what she most wanted even as death comes for her. She has lived her life in pursuit of a father figure and protection from a man, and her final memory is also the core memory that has shaped the entire narrative.
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By Joyce Carol Oates