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31 pages 1 hour read

A Woman on a Roof

Fiction | Short Story | Adult | Published in 1963

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Character Analysis

Tom

The naïve and romantic teenager Tom is the closest thing to a hero Lessing offers in this realistic short story. As a “grownup child” who is the same age as Harry’s son, Tom is presumably new to the work force, and definitely inexperienced at the game of love.

While Stanley responds to the provocation of a near-nude female sunbather by swinging wildly between lust and rage, Tom swiftly imagines that he has fallen in love. When Stanley whistles at the woman, Tom stands beside him grinning in a way that he hopes conveys apology. He remembers his fantasy of intimacy with the woman the night before, and he believes that the woman he has dreamed up is the real person. He is perplexed to notice that Stanley’s face is “hard, really angry,” and he “wonder[s] why (Stanley) hate[s] her so much, for by now he love[s] her” (75).

Even when she first appears, Tom offers an ironically chivalric defense of the woman’s choice to sunbathe in the nude, because “she thinks no one can see her” (73). By day 4, he is “pleased” when she moves out of the line of sight of the men, because “He felt she was more his when the other men could not see her” (78). On two occasions, Tom feels “he ha[s] protected her from Stanley” (79) and that “she must be grateful to him” (79). In his mind, the woman is morphing from an unnamed romantic interest into his wife. The adolescent is shocked and shamed when his naïve expectations meet with reality, and the woman brusquely tells him to “Go away,” when he pops up on the roof uninvited “to make [her] acquaintance” (81).

This rejection marks Tom’s fall from innocence. Soon thereafter, his feelings for her become “vicious” and turn to “hatred” (82). This implies that love and respect for women will soon become transactional for him, as they are for Stanley. Indeed, his character’s arc by the end of the tale suggests that Tom will follow in Stanley’s footsteps, developing traditional views about gender roles inside and outside of the bedroom and the home.

Stanley

If Tom’s objectification of the woman is at first masked by tender feelings, Stanley’s is unadorned. The woman’s independence and indifference make Stanley want to punish her, and he refuses to be ignored.

Stanley’s agitation impels the rising action of the story, and his comparisons of the woman to his own wife suggests that he believes the role of any woman, by nature, is to be the possession of a man. The unnamed woman’s apparent freedom from and independence of a man is clearly a source of irritation for Stanley. Indeed, if she has a husband, his attitude must be more tolerant than that of Stanley, who states that he “would soon stop her” if his wife was sunbathing topless “for everyone to see” (74).

Stanley takes this approach yet sees no contradiction or problem in flirting with Mrs. Pritchett, whose husband, a pilot, is likely out flying an airplane, far from home. It is worth noting that, based on Mrs. Pritchett’s husband’s occupation, their family probably lands in the upper-middle class. In 1963, commercial airline travel was more expensive and indicative of wealth. The occupation also required a high level of education and skill. Thus, “handsome sharp-faced” Stanley’s ability to garner the attentions of a woman above his social station affirms his manhood (79). In this regard, she fulfills his expectations of the transaction between man and woman. That she is married merely makes the exchange a “safe” one; in Stanley’s mind, Mrs. Pritchett is only unattainable because she belongs to another man.

The combination of the heat wave and an unnamed woman’s indifference to him transforms Stanley from someone who was “normally a sharp young man, quick at his work, making a lot of jokes, good company” (76) to someone who “began stamping his feet, whistled yelled and screamed, his face turning scarlet” (80) and “looked white now, so perhaps he really did have sunstroke” (80). In reality, Tom will soon discover that Stanley is frustrated by his inability to command the attention of a woman whose independence threatens his sense of authority and importance.

Harry

Although he presents as the voice of reason, the mature man in the group, Harry ultimately sides with Stanley’s misogynistic and controlling attitude toward the woman on the roof.

While he initially chides Stanley’s preoccupation with the topless sunbather as a “small thing” amusing a “small mind” and reminds the gawking newlywed of his “missus” (73), Harry eventually resents the woman’s indifference, as well. The plot’s action rises when Stanley startles the woman with a “shrill derisive yell.” Rather than chasten Stanley, Harry’s commentary implicitly undercuts the woman when he warns “Be careful on those slippery ladders, love” (77). Again, this is a subtle resentment of the symbolic ladder upon which Harry and his co-workers can only climb so far, and will mostly have to climb back down.

Thus Harry also suggests a static view of “a woman’s place” as below a man’s, as it must be to preserve the laboring man’s sense of self-worth in a rapidly changing society, a society in which independent and educated women are surpassing him in social status and economic opportunity.

Despite sympathizing with Stanley, Harry has resigned himself to the practicalities of his occupation, social station, and life as a married man.

The Woman

As an object of sexual desire, the woman on the roof represents an unattainable romantic interest for Tom, and an antagonist for Stanley, Tom, and Harry. The author does not give her a name, which further highlights her distance from the men, as well as her role as an object to be “admired.” The men are given first names but no surnames, suggesting the extent to which they belong to the masses. The woman is different in her approach to nudity, the men, the sun, and the heat wave than Mrs. Pritchett. Her indifference to them is a source of conflict for two reasons: It reminds the men that the woman does not view them with any interest at all, let alone sexual; and the cool, detached way she deals with them elicits an anger born of insecurity about their place on the socioeconomic ladder.

Mrs. Pritchett

A foil to The Woman on the roof, Mrs. Pritchett serves the working men refreshments and flirts with Stanley while they socialize, which reinforces his male ego’s need to be desired. Defining herself as “married to an airline pilot” (223) she represents the traditional gender norm, which the men find comfortable, and therefore, worthy of respect.

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