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Hattie, still thinking about the girl who spoke to them at the carnival, returns there the next day instead of taking her usual walk. Hattie spots the girl selling tickets to the sideshow, but when Hattie overhears a woman call it the “freak” show, she thinks of Adam’s reaction to Nancy’s cruelty and does not buy a ticket. Hattie returns for two more days before she and the girl, Leila, finally connect. Leila’s family works in the carnival: Her mom is Pretzel Woman, her dad runs the Ferris wheel, and her uncle is Fred Carmel, the owner. Hattie is initially overwhelmed by shyness and can hardly speak, but Leila tells her all about life in the carnival—how they travel through the northern states in the summer and the southern states in the winter. Leila and her younger brother Lamar are in correspondence school. Hattie tells Leila about her family and the boardinghouse. Leila gives Hattie a behind-the-scenes tour of a lifetime. Hattie reflects that Leila probably does not have many chances to make friends.
Independence Day is a big event in Millerton, and Hattie excitedly attends the annual band concert and picnic in the park with her parents, grandparents, and Adam. Unlike any other family’s picnic, Nana brings a gourmet cooked meal and serves it on fine china. Adam exclaims in joy over Dad’s carved watermelon fruit basket, drawing the attention of nearby picnickers, whom Hattie stares at until they look away. Dad films as the family eats happily, but Adam refuses to look at the camera or smile until Hattie burps and makes him laugh. Adam angrily rejects Nana’s dessert and pushes his way through the crowd to the Good Humor truck. Ice cream calms Adam down until the music becomes lively again. Adam slips away and Hattie spots him behind the band conductor, dancing with joy. Hattie appreciates Adam’s happiness. The moment is shattered when Nancy and Janet taunt him with “freak show.” Hattie suddenly wonders if Adam’s illness is hereditary, and if the family has kept Adam secret because they worry that Hattie may turn out like him. Hattie has many questions but knows she cannot ask them.
Hattie spends afternoons with Leila at the carnival. Hattie asks if it bothers Leila when people stare at her mom, but Leila says it is better that people pay to stare than just stare. Most of the sideshow performers put on an act, but Leila worries about those who are physically different: People stare at them “because of the way they were born” (96). Hattie confides that people call Adam a freak, but that she likes Adam because of Adam’s happy nature. When Adam arrives at Hattie’s house looking for Angel Valentine, Hattie invites him to the carnival. Nana is happy to have Adam gone for the afternoon. The carnival’s sights and sounds get Adam overly excited. Hattie hopes she made the right choice to bring him. After Leila gives Adam a tour, they play games and have lunch. Adam grows quiet. The girls cannot understand Adam’s reluctance to go on rides, but he enjoys watching the Ferris wheel. Adam excitedly makes plans with Leila for Hattie’s birthday. When Nana confiscates a small knife that Adam won, Adam gets angry, and Hattie walks out on Nana’s explanation.
Hattie asks Angel Valentine about the young man in the sports car. Angel explains that he was her boyfriend Henry. Adam, who has been hiding, startles them. Hattie is disconcerted by the way Adam stands too close, his strange grin, and his narrowed eyes that settle on Angel’s chest. Angel is also uncomfortable and announces she must leave for a date. Hattie worries that the mention of a boyfriend will make Adam angry, but Adam seems unaffected. Adam tells Hattie that he and Leila have planned a party for her on the Friday before her birthday. Hattie does not want to upset Adam but knows that Nana’s cotillion is on Friday. Adam’s intensity makes Hattie afraid. Hattie shows the invitation to Nana. Adam shouts, grows belligerent, and strikes Nana’s hand when she suggests they have the party on a different day. Then he begins to cry. Nana is also about to cry. She agrees to let Hattie go to Adam’s party. Adam says he is “the only one true alien” (112), but Hattie thinks she is one also.
On the Friday before her twelfth birthday, Hattie and Mom visit Nana for a girls’ lunch—which this year includes Adam. Hattie thinks Mom enjoys Nana’s attention. Hattie asks Mom why she never had other kids. Her mom uncomfortably answers that Hattie was perfect, so they did not need more. Hattie wonders if they did not want to have a child like Adam. At lunch, Nana is about to use her floor buzzer to summon the maid, when Adam beats her to it, stepping on the buzzer repeatedly. Nana is furious. Adam mocks Nana, so Nana orders him out of the room. Hattie tries to console him Adam later, but in an unusually adult manner, Adam tells Hattie her party will go on. Adam is in a good mood when he and Hattie meet Leila at the carnival. Hattie and Leila go on rides, while Adam, inexplicably, only watches. Leila has made Hattie a cake, and Adam gives Hattie a wooden box he made at his school. Hattie is glad she will always have the box to remember Adam.
This section expands on themes of friendship and the importance of accepting differences. Despite her shyness, Hattie goes out of her way to befriend Leila, to the extent of breaking her long-held daily routine. Unlike with her other two friends, Betsy and Adam, who came into her life by chance, Hattie initiates the friendship with Leila. Consequentially, Leila is her most “unexpected” friend. The two girls discover that they have a lot in common. Like Hattie, Leila does not have many friends her age—though in Leila’s case, it’s because of her nomadic life. Both girls enjoy working in their somewhat nontraditional family businesses—Hattie in the boardinghouse and Leila at the carnival. Both love reading, which offers them a window on other worlds. They are also both more accepting: Leila worries about the two sideshow performers who have physical differences, the same way Hattie is hurt when others disparage Adam because he does not conform to social norms. Hattie shows a streak of courage and independence by choosing Leila for a friend, knowing that Nana takes a “dim view of what she calls circus people” (96). Choosing Leila is a step in Hattie’s transition away from Nana’s control.
Hattie struggles with family secrets and takes increasing responsibility for Adam. Hattie thinks she understands Adam better than most people do because she feels a similar social isolation and repression. She can look at Adam’s joyful Independence Day dancing and empathize rather than criticize: Hattie feels like dancing too; and she has also always wanted to press Nana’s servant buzzer. At the same time, Hattie also worries that she may have Adam’s mental illness if it runs in families. Given that her family kept Adam a secret, Hattie legitimately worries what other secrets they are keeping from her. Although Hattie has a lot of questions, she feels she “can’t ask a single one of them” (94). Hattie must keep her feelings to herself, partially to keep from making others uncomfortable.
Adam’s friendship places Hattie in situations outside her comfort zone. Advocating and caring for Adam helps Hattie find her voice, though she realizes the magnitude of the responsibility. Hattie sometimes worries about her ability to manage Adam and is glad that Leila will help her at the carnival, “so I won’t be on my own with Adam for long” (97).
We learn more about Nana’s relationship with Adam and see growing signs of a darker side to Adam’s disability, foreshadowing events to come. Hattie thinks that Nana views Adam as an embarrassment and Hattie dislikes the way she orders him around like a small child or a dog. But Hattie also begins to recognize that Nana cares for Adam in her own way. Hattie sees Nana’s sadness when Adam cries, and Nana’s aborted attempt to reach out and touch him. Hattie, notably, is the one who dares to hug Adam. Hattie’s compassion is not hampered by fear, societal norms, or emotional restraint.
Nana’s mysterious comment that she does not expect Hattie “to know any better” about letting Adam have a knife (103), suggests that Adam may have been violent in the past. Several times, Adam’s unpredictability and anger frighten Hattie: Adam slaps Nana’s hand, grabs Hattie’s shirt to keep her from going inside, and makes both Hattie and Angel uncomfortable with his strange grin. Adam’s fixation on Angel and his increasingly physical episodes hint at his upcoming breakdown on the Ferris wheel and his tragic end.
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